"Track 1" by Sharon Chen had its release date on September 19, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sharon Chen's "Lettre pour toi" album is number 1 out of 4. On top of that, Australia appears to be the country where this track was created. The popularity of Track 1 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Track 1 by Sharon Chen to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Touching Infinity | Mirko Mica | C Minor | 1 | 5A | 140 BPM | ||
| At Last - Piano Version | David Andrew | F Major | 0 | 7B | 182 BPM | ||
| Here Without You | Mahdi Salehi | B Minor | 0 | 10A | 84 BPM | ||
| En Attendant | Olivier Casassus | A Minor | 1 | 8A | 140 BPM | ||
| Red Circle | Nederlander | F Minor | 0 | 4A | 66 BPM | ||
| abuelita | Jinca | A Major | 0 | 11B | 69 BPM | ||
| Rêve Blanc | Caelus | C Minor | 0 | 5A | 130 BPM | ||
| Meadowlark | Ren Lockhart | E♭ Major | 0 | 5B | 123 BPM | ||
| The Question Remains | Tiny Rhino | D♭ Major | 0 | 3B | 135 BPM | ||
| Vals Sentimental | Rob Connor | A♭ Major | 0 | 4B | 84 BPM | ||
| Buscando | Mauricio de los Santos | D Minor | 0 | 7A | 96 BPM | ||
| Escapes | Thomas Kessler | D♭ Major | 0 | 3B | 147 BPM | ||
| Apricity | Sharon Chen, Echosonica | G Minor | 9 | 6A | 100 BPM | ||
| Fable | Les Rêveries | B Minor | 0 | 10A | 164 BPM | ||
| Days Travelling | Vox Pacis | E Minor | 0 | 9A | 47 BPM | ||
| Looking Ahead | Bastian Hoffmann | B Major | 0 | 1B | 113 BPM | ||
| Forward | Erjos | E♭ Major | 0 | 5B | 71 BPM | ||
| Recovering Vegas | Tom Cosmo | F Major | 0 | 7B | 113 BPM | ||
| Silence speaks loud | Lía Celis | E♭ Minor | 0 | 2A | 121 BPM | ||
| Echoes after Rain | Rory Lewis | G Minor | 0 | 6A | 70 BPM | ||
| De fleurs en fleurs | Josselin Matignon | C Major | 2 | 8B | 146 BPM | ||
| 02:56 am | Tommaso Farinetti | D Minor | 0 | 7A | 132 BPM | ||
| Himaya | Alexander Luchs | B Major | 0 | 1B | 52 BPM | ||
| Leaving Izmir (Felt) | Paul Seba, Paul Sebastian Clarke | F Major | 1 | 7B | 129 BPM | ||
| Journey's End | Devo Niana | E♭ Major | 0 | 5B | 116 BPM |