Variations & Fugue on a Theme by Telemann, Op. 134: Var. 20, Poco vivace by Max Reger, Marc-André Hamelin Song Details

Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 20, Poco vivace' had a release date set for January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #42. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 20, Poco vivace is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 20, Poco vivace by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -21.701 dB
Acousticness: 99%
Danceability: 38%
Energy: 19%
Instrumentalness: 86%
Liveness: 10%
Loudness: 64%
Speechiness: 4%
Valence: 39%

Recommendations

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Suite No. 1, "Orientale": I. Okenstamning: Adagio	Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi	B Minor	1	10A	61 BPM
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Alles, was Odem hat"	Felix Mendelssohn, GewandhausChor, Chor der Oper Leipzig, Gewandhausorchester, Riccardo Chailly	A Major	5	11B	73 BPM
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Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale	Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus	G Major	0	9B	96 BPM
3 Czech Dances, H. 154: No. 3, Polka	Bohuslav Martinů, Joseph Havlat	F Major	2	7B	102 BPM
4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es	Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal	F♯ Minor	1	11A	77 BPM
Suite en trio, Op. 59: II. Pastorale	Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra	E Major	2	12B	112 BPM
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Liebeslied, S. 566 (After Schumann's Op. 25 No. 1)	Franz Liszt, Kasparas Uinskas	A♭ Major	1	4B	69 BPM
Bagatelles, Op. 47, B. 79: No. 2 in G Major, Tempo di minuetto. Grazioso	Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon	G Major	1	9B	101 BPM
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