On 1991, the song "'Cept February, Which Has 28" was released by Harry James, Nick Buono, Pinky Savitt, Ralph Osbourne, Gene Komer, Everett McDonald, Neal Hefti, Juan Tizol, Victor Hamann, Ziggy Elmer, Chuck Prerie, Dave Robbins, Lee O'Connor, Willie "The Lion" Smith, Eddie Rosa, Corky Corcoran, Jimmy Cook, Bob Poland, Al Pellegrino, Tony Rizzi, Tiny Timbrell, Bruce MacDonald, Joe Mondragon, Art Bernstein, Don Lamond, Frank Bode. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. 'Cept February, Which Has 28's duration is considered a little bit shorter than the average duration of a typical track. This song is part of You Turned the Tables on Me by Harry James. The song's track number on the album is #14 out of 18 tracks. In terms of popularity, 'Cept February, Which Has 28 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since 'Cept February, Which Has 28 by Harry James, Nick Buono, Pinky Savitt, Ralph Osbourne, Gene Komer, Everett McDonald, Neal Hefti, Juan Tizol, Victor Hamann, Ziggy Elmer, Chuck Prerie, Dave Robbins, Lee O'Connor, Willie "The Lion" Smith, Eddie Rosa, Corky Corcoran, Jimmy Cook, Bob Poland, Al Pellegrino, Tony Rizzi, Tiny Timbrell, Bruce MacDonald, Joe Mondragon, Art Bernstein, Don Lamond, Frank Bode has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With 'Cept February, Which Has 28 being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Once to Every Heart | Jimmy Durante | F♯ Major | 2 | 2B | 105 BPM | ||
| As Time Goes By | Rudy Vallee | A♭ Major | 2 | 4B | 81 BPM | ||
| On The Sunny Side Of The Street | Benny Goodman | G Minor | 1 | 6A | 122 BPM | ||
| There I Go | Vaughn Monroe | A♭ Major | 3 | 4B | 100 BPM | ||
| Softly, As In A Morning Sunrise | Artie Shaw | F Major | 3 | 7B | 154 BPM | ||
| My Funny Valentine | Ray Anthony & His Orchestra | D♭ Major | 1 | 3B | 75 BPM | ||
| When Somebody Thinks You're Wonderful - Remastered | Fats Waller | B♭ Major | 2 | 6B | 111 BPM | ||
| These Foolish Things | Dick Haymes | A Minor | 1 | 8A | 90 BPM | ||
| Waiting For The Train To Come In | Block, Skylar, Harry James | E♭ Major | 3 | 5B | 85 BPM | ||
| The Very Thought of You (with the Ray Noble Orchestra) | Al Bowlly, Ray Noble & His Orchestra | F Minor | 0 | 4A | 95 BPM | ||
| When I Take My Sugar to Tea | Bunny Berigan, Frank Auburn & His Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| For sentimental reasons | Eddy Howard & His Orchestra, Eddy Howard | E Minor | 2 | 9A | 117 BPM | ||
| Let's Fly Away | Lee Wiley | F Minor | 1 | 4A | 82 BPM | ||
| How High the Moon | Dick Haymes, Harry James, His Orchestra | C Major | 3 | 8B | 117 BPM | ||
| Sweet Madness | Bunny Berigan, Adrian Rollini And His Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 1 | 3B | 149 BPM | ||
| Meet Me Tonight in Dreamland | Glen Gray, Casa Loma Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| Tangerine | Jimmy Dorsey & His Orchestra, Bob Eberly, Helen O'Connell | B Minor | 2 | 10A | 155 BPM | ||
| Cherokee | Ray Noble & His Orchestra | B♭ Major | 1 | 6B | 106 BPM | ||
| Moonglow | Benny Goodman | A♭ Major | 2 | 4B | 105 BPM | ||
| Lazy River | Benny Goodman Trio | A Minor | 1 | 8A | 97 BPM | ||
| Under a Blanket of Blue | Glen Gray, Kenny Sargent, Casa Loma Orchestra | F Minor | 1 | 4A | 82 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| I've Got the World On a String | Helen O'Connell | B♭ Minor | 2 | 3A | 134 BPM | ||
| What a Difference a Day Makes | Frank Sinatra Jr. | F Major | 3 | 7B | 110 BPM |