Rajesh Ranshoor's ' "Welcome to Saileela" was released on its scheduled release date, March 6, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Sai Tuzya Shirdila Yein". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Welcome to Saileela is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Welcome to Saileela by Rajesh Ranshoor having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vitthal Bhaktigeet - Dehachi Tijori | Mandar Apte | D Major | 5 | 10B | 140 BPM | ||
| Janu Deha Hi Pandhari | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Mile Jyane Mukti Aaise | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Vithu Mauli Tu Mauli Jgachi | Sudarshan Bhure | D♭ Major | 9 | 3B | 80 BPM | ||
| Vasaichya Nakyvar Pori Bhet Mana Ryavari | Eknath Mali | G Major | 9 | 9B | 92 BPM | ||
| Aai Majhi Konala Pavli | Mangesh Datta | B♭ Minor | 7 | 3A | 125 BPM | ||
| Bhai Majha Jail Madhun Sutla | Ajay Gaikwad | F♯ Minor | 9 | 11A | 155 BPM | ||
| Jaganyacha Paaya Chalanache Bal (From "Tukaram") | Ashok Patki, Dnyaneshwar Meshram | G Minor | 7 | 6A | 97 BPM | ||
| Balava Balava Bhaubandle Va Maay 20 | Bhaiya mali | D♭ Major | 8 | 3B | 90 BPM | ||
| Vitevari Ubha | Suresh Wadkar | F Major | 7 | 7B | 131 BPM | ||
| Zali Bhanu Dhangarin | Prachi Surve | B Major | 8 | 1B | 130 BPM | ||
| Shirdicha Raja | Rahul Lehnar | D♭ Major | 8 | 3B | 80 BPM | ||
| Aai Mi Yetay G | Sagar Janardhan, Deepak Madhavi, Sonali Sonawane | G Minor | 8 | 6A | 131 BPM | ||
| Swaminche Nandanvan | Savaniee Ravindrra | D Major | 4 | 10B | 110 BPM | ||
| Panvel Koliwada Nighala Karlyala | Ajay Gaikwad | B Minor | 10 | 10A | 103 BPM | ||
| Aika Mandali 2 | Mangesh Shirke | G Major | 9 | 9B | 125 BPM | ||
| Kutha Gela Shankar | Shankar Jadhav, Ramchandra Ghanekar | A♭ Major | 6 | 4B | 96 BPM | ||
| Lalbagchya Raja Darshan De Tu Amhar | Shakuntala Jadhav | A♭ Minor | 7 | 1A | 80 BPM | ||
| Jo Bala Jo Jo Re Jo Bhim Angai Geet | Hiral Kamble, DJ HK Style | E♭ Minor | 5 | 2A | 96 BPM | ||
| Sukhkarta Dukhharta Ganpatichi Aarti | Ravindra Sathe, Sangeeta Kulkarni | B Major | 5 | 1B | 169 BPM | ||
| Gauri Ganpatichya Sanala | Vitthal Uamap | F♯ Major | 7 | 2B | 77 BPM | ||
| Gajar Aai Maulicha | Yogesh Agravkar, Sneha Mahadik, Prashant Nakti | A♭ Major | 8 | 4B | 170 BPM | ||
| Tuza Maz Houde Lagin | Sajan Bendre | A♭ Major | 10 | 4B | 150 BPM | ||
| Datta Namaacha Karuni Gajar | Mahesh Kale | C Major | 7 | 8B | 78 BPM | ||
| Zulva Palna | Kalyani Yashwant Patil | D♭ Major | 8 | 3B | 144 BPM |