On October 12, 2001, the song "In Re Kaya Ro Hindolo Rachiyo" was released by Prakash Mali. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Prakash Mali's "Kaya Ro Hindolo Rachiyo" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, In Re Kaya Ro Hindolo Rachiyo is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of In Re Kaya Ro Hindolo Rachiyo by Prakash Mali to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Jagdamba Rakho Laaj Sharan Main Thari Aayo | Narayan Nandwana | B♭ Minor | 9 | 3A | 75 BPM | ||
| Sire Mandir Nav Natho Ro Dham - Original | Jog Bharti, Geeta Goswami | C Minor | 8 | 5A | 90 BPM | ||
| Guruji Shukar Tera | Chandra Parakash Chauhan | B♭ Minor | 7 | 3A | 140 BPM | ||
| Maiya Ji Ke Kripa Se Mera Har Kam Hota Hai | Ram Kumar Lakha | F Minor | 10 | 4A | 116 BPM | ||
| Chet Re Nar Chet | Bhawani Sk | G Major | 6 | 9B | 152 BPM | ||
| Apno Braj Dekhan Ko Aaye Jaiyo | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Najar Bhar Dekh Le Mujhko Sharan Me Aa Pada Teri | Ranjeet Lohar | G Major | 8 | 9B | 140 BPM | ||
| Bajrangi Meri Sunlo | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | A♭ Minor | 3 | 1A | 130 BPM | ||
| Aaya Hu Tera Dwar | Mohit Chauhan | D Major | 5 | 10B | 135 BPM | ||
| Aaya Aaya Bhagat Thaare Dwaar | Gopal Bajaj | A♭ Major | 8 | 4B | 171 BPM | ||
| Teri Kripa | Gyaan Pankaj | D♭ Minor | 9 | 12A | 134 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Aadu Aadu Pant - 1 | Prakash Mali | D♭ Major | 8 | 3B | 95 BPM | ||
| Bala Tu Hai Anjani Ka Lala (Aarti) | Ram Kumar Lakkha | E Minor | 9 | 9A | 105 BPM | ||
| Mera pyara pritam satguru rakhwala | Sachharab, Rinku Veer Ji | A Major | 9 | 11B | 98 BPM | ||
| Khatu Ko Shyam Rangile Re | Sanjay Mittal | A♭ Major | 8 | 4B | 87 BPM | ||
| Maiya Narbada Thari Jay Jaykar | Nimadi Maa Narmada Bhajan | Ashwin Yadav | D♭ Major | 7 | 3B | 113 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Ke Ghatt Jaga Bala Ji | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | F Major | 9 | 7B | 125 BPM | ||
| Mandpiya Wala Seth Sanvra Nalo Toh Shri | Bablu Rajasthani | F Minor | 10 | 4A | 130 BPM | ||
| More Mann Chal Vrindavan Dham | Rajendra Vyas | D Major | 7 | 10B | 101 BPM | ||
| Sona Ri Jhumriya | Prakash Mali | E♭ Major | 7 | 5B | 96 BPM | ||
| Bardan Ahan San Ki Mangi | Dilip Darbhangiya | B♭ Major | 10 | 6B | 112 BPM | ||
| Khamma Khamma Ramdev Pir Ne | Gopal Sadhu | F Minor | 8 | 4A | 102 BPM |