Tear, Repair
Driving On City Sidewalks
Where Angels Crowd to Listen
4:17 August 26, 2008
BPM
122
Key
C Minor
Camelot
5A

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Tear, Repair by Driving On City Sidewalks Song Details

"Tear, Repair" by Driving On City Sidewalks had its release date on August 26, 2008. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Where Angels Crowd to Listen by Driving On City Sidewalks. The song's track number on the album is #3 out of 5 tracks. Based on our statistics, Tear, Repair's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

Since Tear, Repair by Driving On City Sidewalks has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tear, Repair being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Music Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.99 dB
Acousticness
89%
Danceability
43%
Energy
13%
Instrumentalness
59%
Liveness
12%
Loudness
72%
Speechiness
4%
Valence
11%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records