Bhimsen Joshi's ' "Sanwale Sundar Roop" was released on its scheduled release date, December 1, 2007. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 12 out of 12 in Abhanga Vani by Bhimsen Joshi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Sanwale Sundar Roop is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sanwale Sundar Roop by Bhimsen Joshi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phu Baai Phu Phugadi Phu | Vinay Mandke, Uttara Kelkar | A♭ Major | 7 | 4B | 84 BPM | ||
| Tav Naynanche Dal | Salil Kulkarni | B♭ Major | 4 | 6B | 172 BPM | ||
| Lalana | Rahul Deshpande, Jidnesh Vaze | F♯ Minor | 10 | 11A | 150 BPM | ||
| He Bhalte Avghad Aste | Sandeep Khare, Salil Kulkarni | C Major | 3 | 8B | 92 BPM | ||
| Dhak Dhak Manat Zalaya Suru | Uttara Kelkar, Sudesh Bhosle | D Minor | 7 | 7A | 113 BPM | ||
| Vitthal Bhaktigeet - Dehachi Tijori | Mandar Apte | D Major | 5 | 10B | 140 BPM | ||
| Tula Pahile Mi | Shridhar Phadke | B♭ Major | 5 | 6B | 110 BPM | ||
| Gauri Ganpatichya Sanala | Vitthal Uamap | F♯ Major | 7 | 2B | 77 BPM | ||
| Solava Varis Dhokyacha | Sulochana Chavan, Jagdish Khebudkar | F Minor | 4 | 4A | 83 BPM | ||
| Kaya Hi Pandhari | Bhimsen Joshi | D Major | 3 | 10B | 104 BPM | ||
| Deh Pandurang | Jayteerth Mevundi | D Major | 4 | 10B | 180 BPM | ||
| Vittalachya Payi Vit | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Avagha Rang Ek Jhala | Kishori Amonkar | E♭ Minor | 4 | 2A | 98 BPM | ||
| Natavila Sonyane | Milind Shinde | D♭ Major | 5 | 3B | 98 BPM | ||
| Deve Thevile Taise Rahave | Anand Bhate | B Major | 5 | 1B | 97 BPM | ||
| Bawara | Hrishikesh Kamerkar, Avadhoot Gupte, Shilpa Pai, Janavi Prabhu Arora, Rishikesh Kamerkar, Guru Thakur | G Major | 5 | 9B | 120 BPM | ||
| Taal Bole Chipalila | Mahesh Hiremath, Shubhangi Joshi | A♭ Major | 6 | 4B | 188 BPM | ||
| Ganpati Raya Padte Mi Paya | Shakuntala Jadhav | E♭ Minor | 7 | 2A | 74 BPM | ||
| Anand ghana | Aanandi Joshi, Hrishikesh Ranade | A♭ Major | 8 | 4B | 150 BPM | ||
| Utha Utha Ho Sakalik | Lata Mangeshkar | E Major | 4 | 12B | 87 BPM | ||
| Bharajari Ga Pitambara - From "Shyamchi Aai" | Ashok Patki, Rucha Bondre, Pralhad Keshav Atre | B♭ Major | 7 | 6B | 101 BPM | ||
| Kagal Gavcha Guna | Ajay Gogavale | D♭ Major | 4 | 3B | 114 BPM | ||
| Lagin Sarai | Vaishali Made | B Minor | 9 | 10A | 86 BPM | ||
| Malvat | Ajay Gogavale | G Minor | 6 | 6A | 177 BPM | ||
| Swami 2 | Brahmaa, Harshavardhan Wavare, Narhar Raherkar, Prashant Gawali | A♭ Major | 6 | 4B | 98 BPM |