Ritesh Pandey, Varsha Tiwari's ' "Tohar Mot Hamar Chhot" was released on its scheduled release date, January 12, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aashish Verma's "Laal Abeer" album is number 9 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Tohar Mot Hamar Chhot is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tohar Mot Hamar Chhot by Ritesh Pandey, Varsha Tiwari to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tor Jawani Lago Patna Ke Rajdhani Ge Chhaudi | Saurabh Sugam Yadav | F Minor | 10 | 4A | 88 BPM | ||
| Mann Kare Pagal Ho Jayiti | Neel Kamal Singh | F♯ Major | 9 | 2B | 120 BPM | ||
| Gaddari Karbe - DJ Mix | DJ Harshit Shah, Ritesh Pandey, Anupma Yadav | F♯ Major | 10 | 2B | 140 BPM | ||
| Pyar Ke Namawa Par Kailu Khela | Deepak Deewana | A♭ Major | 9 | 4B | 99 BPM | ||
| Babuaan Ke Tola Ha | Nigam Singh, Priti Rai | B♭ Major | 6 | 6B | 170 BPM | ||
| Upar Chale Bhagwan Ke Niche Bhumihar Ke | Rudra Golu Pandey, Radha Raj | A♭ Minor | 9 | 1A | 148 BPM | ||
| Aaj Jail Hoi Kal Bail Hoi Hm | Ritesh Pandey | B Minor | 10 | 10A | 75 BPM | ||
| Hum Haeen Piya Ji Ke Patar Tiriywa - From "Patna Se Pakistan" | Kalpana Patowary, Dinesh Lal Yadav | G Minor | 9 | 6A | 102 BPM | ||
| Sent Gamkauwa | Shivani Singh | F♯ Major | 10 | 2B | 123 BPM | ||
| Dosh Naikhe Bangliniya Ke | Akshara Singh | G Minor | 10 | 6A | 123 BPM | ||
| Rel Diya Jayega | Heera Ojha | F Minor | 9 | 4A | 81 BPM | ||
| Gali Gali Ghumela Ho Mann Ke Bhanwarwa | Vinay Bihari, Palak | C Major | 6 | 8B | 115 BPM | ||
| Lagai Dihi Choliya Ke Huk Rajajk - Bhojpuri | Ravindra Raj | E Major | 10 | 12B | 145 BPM | ||
| Jhumka Jhulaniya | Kalpana Patowary | D♭ Major | 10 | 3B | 148 BPM | ||
| Aamarpali Re | Om Jha, Aamarpali Dube | B Minor | 9 | 10A | 195 BPM | ||
| Chhatiya Pathar Ke ge Sona | Aashish Yadav | D♭ Minor | 9 | 12A | 123 BPM | ||
| Rangdar Se Sikh Rangdari | Ankita Singh | G Major | 9 | 9B | 123 BPM | ||
| Falanwa Ke Beta Sapanwa Me Aata Hai | Akshara Singh | A Major | 10 | 11B | 135 BPM | ||
| Karua Tel 3.0 | Jitendra Singh Anshu, Shivani Singh | G Minor | 10 | 6A | 125 BPM | ||
| AHIRAN | Tuntun Yadav, Kajal Raj | F♯ Minor | 10 | 11A | 130 BPM | ||
| Baja Baji Ki Na | Shubha Mishra | F Minor | 10 | 4A | 160 BPM | ||
| Mobil Dalata | Vijay Chauhan | C Minor | 9 | 5A | 123 BPM | ||
| Raghunandan Hari | Ankush Raja, Khushbu Tiwari KT | D♭ Major | 10 | 3B | 125 BPM | ||
| Samhara Mor Jawani | Khushi Kakkar | F♯ Minor | 9 | 11A | 123 BPM | ||
| Piyawa Ke Dare | Ankush Raja | C Major | 9 | 8B | 114 BPM |