Ralph Shapey, Robert Black's 'Fromm Variations (31 Variations For Piano): Variation XXII' had a release date set for January 1, 2007. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Ralph Shapey: Radical Traditionalism". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Fromm Variations (31 Variations For Piano): Variation XXII is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Fromm Variations (31 Variations For Piano): Variation XXII by Ralph Shapey, Robert Black having a BPM of 53 with a half-time of 26 BPM and a double-time of 106 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Songs & Poems: Song V (arrranged for viola) | Philip Glass, Amelia Hollander Ames | A Major | 2 | 11B | 75 BPM | ||
| Psalm 2: Prologue: Prais'd Be | Ralph Shapey, Sarah Leonard, BBC Singers, Spectrum, Avner Itai | F♯ Minor | 2 | 11A | 141 BPM | ||
| Ciudadano Sombra: I. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Looking Glass | Suno AI, Suno AI v3.5, Prompt by: Manny Ramirez, Synthetic Society | C Minor | 2 | 5A | 135 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | A Major | 2 | 11B | 75 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | A Major | 2 | 11B | 75 BPM | ||
| The Cat and the Moon: That is a soul lost... | Thomas Putsché, Elsa Charlston, Thomas MacBone, Ralph Shapey | G Major | 0 | 9B | 115 BPM | ||
| Agon, Ballet, K88: IIb. Pas de trois I. Sarabande-Step | Igor Stravinsky, Ilan Volkov, BBC Scottish Symphony Orchestra | F Major | 0 | 7B | 92 BPM | ||
| Piano Sonata "To the Victims of Auschwitz": II. Epitaph. Andante teneramente | Agi Jambor, Sarah Cahill | C Minor | 2 | 5A | 105 BPM | ||
| Märchentänze (Orchestral Version): III. A Skylark for Jane | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 0 | 11A | 117 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | A Major | 2 | 11B | 75 BPM | ||
| Bene Feast | Estoria | A Major | 2 | 11B | 75 BPM | ||
| Concerto No. 2 for Cello & String Orchestra "Klatbutne / Presence": I. Cadenza | Pēteris Vasks, LGT Young Soloists, Caterina Isaia, Alexander Gilman | E Minor | 0 | 9A | 96 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| 21 Variations for Piano: Vars. 6-10 | Ralph Shapey, David Holzman | F♯ Major | 3 | 2B | 65 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM |