Paul Taylor's 'Laronda' had a release date set for June 14, 2011. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Prime Time". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Laronda's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Laronda by Paul Taylor having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're Makin' Me High | Jessy J | D♭ Major | 4 | 3B | 92 BPM | ||
| Could It Be You | Cindy Bradley | B♭ Minor | 6 | 3A | 79 BPM | ||
| Fire & Water | Carol Albert | E Minor | 7 | 9A | 94 BPM | ||
| Chillaxin | Euge Groove | C Minor | 6 | 5A | 91 BPM | ||
| Prime Time | Paul Taylor | D♭ Minor | 9 | 12A | 105 BPM | ||
| Remind Me | Ben Tankard | E Minor | 5 | 9A | 91 BPM | ||
| Kulah | James Doyle, Paul Taylor | F Major | 5 | 7B | 100 BPM | ||
| Wanna Get Closer | The Sax Pack | C Major | 7 | 8B | 109 BPM | ||
| Wednesday | Rob Mullins | C Minor | 6 | 5A | 92 BPM | ||
| Forever And A Day | Euge Groove, Althea Rene | A Minor | 7 | 8A | 91 BPM | ||
| Come And Get It | Joyce Cooling | D Minor | 6 | 7A | 108 BPM | ||
| The Music Inside | Chuck Loeb | B Minor | 6 | 10A | 168 BPM | ||
| Easy Street | Eric Marienthal | B♭ Minor | 6 | 3A | 94 BPM | ||
| Paradise | Norman Brown | A Minor | 5 | 8A | 77 BPM | ||
| After Hours | Paul Taylor | G Minor | 6 | 6A | 78 BPM | ||
| After Hours (The Antidote) | Ronny Jordan | F♯ Minor | 5 | 11A | 169 BPM | ||
| Fadeaway | Paul Taylor | F Minor | 7 | 4A | 88 BPM | ||
| Up 'N' At 'Em | Norman Brown | D♭ Major | 7 | 3B | 105 BPM | ||
| Cantina | Paul Taylor | B♭ Major | 8 | 6B | 85 BPM | ||
| Dry Your Eyes | Paul Taylor | C Minor | 6 | 5A | 152 BPM | ||
| Midnight In Manhattan | Peter White | B♭ Minor | 7 | 3A | 92 BPM | ||
| In The City Life | Gota | G Major | 6 | 9B | 99 BPM | ||
| Candlelight | Richard Elliot | D Minor | 7 | 7A | 88 BPM | ||
| Can We Talk? | Dean James | F Major | 5 | 7B | 172 BPM | ||
| At Midnight | Bob Mamet | G Minor | 7 | 6A | 100 BPM |