"A Requiem For The Count" by Federico Jusid had its release date on May 10, 2024. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. A Requiem For The Count's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 33 in A Gentleman in Moscow (Original Paramount+ Series Soundtrack) by Federico Jusid. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, A Requiem For The Count is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Requiem For The Count by Federico Jusid is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aforementioned Love | Howard Harper-Barnes | D♭ Major | 1 | 3B | 81 BPM | ||
| It Is at an End | David Buckley | F Minor | 0 | 4A | 70 BPM | ||
| Relationship | Turgut Kazimov, Tourgut | D Major | 3 | 10B | 180 BPM | ||
| A Chasing Jimmy | Anne Nikitin | F Major | 2 | 7B | 106 BPM | ||
| Kauffman | Fernando Velázquez | G Minor | 0 | 6A | 86 BPM | ||
| Lioness Prologue | Andrew Lockington | D Minor | 2 | 7A | 138 BPM | ||
| Epilogue | James Horner | D Minor | 1 | 7A | 88 BPM | ||
| Fading Memories | Pakk Hui | D♭ Minor | 1 | 12A | 140 BPM | ||
| Because of Love | Paolo MIllon, Neon Lilith, Tommy F Besson, Metasymphony | G Minor | 2 | 6A | 108 BPM | ||
| What A Wonderful World (Strings) | Emeka Onuoha | F Major | 2 | 7B | 106 BPM | ||
| Prophecies and Dreams | Debbie Wiseman | F Major | 0 | 7B | 132 BPM | ||
| Llamadas Contundentes | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Pronounced Dead | Federico Jusid | E Minor | 1 | 9A | 100 BPM | ||
| Ponder | Orion King | B♭ Minor | 2 | 3A | 153 BPM | ||
| Encantador | Zapete | F Major | 2 | 7B | 106 BPM | ||
| Bons du trésor | Mathieu Lamboley | F Major | 2 | 7B | 106 BPM | ||
| Sin Mas Aguante | Los Triunfadores | C Minor | 1 | 5A | 137 BPM | ||
| Flatline | Erkin Mimram, Eclador | C Minor | 3 | 5A | 85 BPM | ||
| The Cover-Up | Marcelo Zarvos | D♭ Minor | 1 | 12A | 130 BPM | ||
| Trying Not to Forget | Alex Baranowski | F♯ Minor | 2 | 11A | 100 BPM | ||
| Cassandra Austen | Dominik Scherrer | D Minor | 1 | 7A | 106 BPM | ||
| Installazione | Non Binary | D Minor | 0 | 7A | 100 BPM | ||
| Ricordi di una vita passata | Andrea Farri | F Major | 2 | 7B | 106 BPM | ||
| A Place in History | Ramin Djawadi | F Minor | 2 | 4A | 102 BPM | ||
| The Quiet American Main Theme - From "The Quiet American" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | E♭ Minor | 2 | 2A | 84 BPM |