Satbir, Pale Ram, Baali Sharnma, Rajender Kharkiya's ' "Khel Rachaiyo Na Part 7" was released on its scheduled release date, March 17, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Bumper Competition Vol 2 by Satbir. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Khel Rachaiyo Na Part 7 is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Khel Rachaiyo Na Part 7 by Satbir, Pale Ram, Baali Sharnma, Rajender Kharkiya is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kadam Godi Hat Gayi Part 8 | Surjan chaitanya | G Major | 8 | 9B | 71 BPM | ||
| Gaam Ke Chane Me Part 7 | Bali, Paleram, Satbir, Ranbir | F Minor | 5 | 4A | 108 BPM | ||
| Bin Aai Me Marwa De | Master Satbeer Singh | F♯ Major | 7 | 2B | 110 BPM | ||
| Gair Ke Moh Me | Azad Singh Khandakhedi | F♯ Minor | 8 | 11A | 81 BPM | ||
| Mera Bharat Desh Mahan Yaha Geeta Aur Kuran Hindu | Vikash Passoria | F♯ Major | 8 | 2B | 92 BPM | ||
| Meera Kay Karlay Yuniyan | Rajender Singh Kharkiya, Sudesh Sharma, Sarita Chaudhary, Vinod Sastri, Madhu Sharma | F Major | 6 | 7B | 126 BPM | ||
| Tu Marti Kadey | Ranbir Banwasiya, Satbir | A♭ Major | 5 | 4B | 79 BPM | ||
| Ek Thi Daru Do Batlaye | Azad Singh | E♭ Major | 0 | 5B | 114 BPM | ||
| Tu Marti Kadey Yo, Totey Ke Mahar | Ranbir Banwasiya, Satbir | F Minor | 6 | 4A | 134 BPM | ||
| Raja Seti Keh | Master Satbeer Singh | B♭ Major | 6 | 6B | 128 BPM | ||
| Ladki Thodi Si Sawar Part 1 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | G Major | 8 | 9B | 75 BPM | ||
| Uski Dosti Kisi Kaam Ki Nahi Part 9 | Ravinder, Ranbir, Pale Ram, Satbir, Dayanand | E Minor | 6 | 9A | 156 BPM | ||
| Pistal Te Mehnga Lehnga (Slowed and Reverb) | Vinod Sorkhi, Anjali Raghav, Kay D | B♭ Minor | 7 | 3A | 80 BPM | ||
| Dukhiyari Teri - Samay Kara De | Ranbeer Bhadwasiya, Rajender Kharkiya | F Major | 9 | 7B | 136 BPM | ||
| Chhutti Ke Din Poore Hoge | Rajkishan Agwanpuriya, Neelam Chaudhary | D Major | 5 | 10B | 127 BPM | ||
| Pal Me Bole Part 4 | Rajender, Satbir, Pale Ram, Ranbir, Bali Sharma | G Minor | 6 | 6A | 149 BPM | ||
| Chandrahas Ko Leke Part 5 | Rajender, Satbir, Pale Ram, Ranbir, Bali Sharma | A♭ Minor | 4 | 1A | 148 BPM | ||
| नैन आपरा बन्ना काजल काजल मैं दिल मेरा | Jalal Khan | G Major | 8 | 9B | 200 BPM | ||
| Hoor Ka Kanchan Pure Se Gav Part 5 | Satbir | D♭ Major | 3 | 3B | 121 BPM | ||
| Masani Aaiye Tu Choganan Ke Jode Mein | Parveen Chawariya | B♭ Minor | 9 | 3A | 130 BPM | ||
| Bagdawat | Raju Rawal, Rinku Sharma | E♭ Major | 8 | 5B | 127 BPM | ||
| Bistar Pe Tey Chala Re Utth Ke Aawna Lagya Tiwala | Vikash Passoria | A Major | 9 | 11B | 141 BPM | ||
| Lac Barash Tak Manas | Master Satbir | F♯ Minor | 4 | 11A | 80 BPM | ||
| Ghar Me Band Part 5 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | F Minor | 5 | 4A | 108 BPM | ||
| Guru Ji Mene Bhar Kad Le Lo | Bhakt Ramniwas | F♯ Major | 8 | 2B | 144 BPM |