A.C. Reed, Maurice John Vaughn's 'Boogie All Night' had a release date set for 1986. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in A.C. Reed, Maurice John Vaughn's "I Got Money (1985) [Blues Reference]" album is number 1 out of 10. On top of that, France appears to be the country where this track was created. Based on our statistics, Boogie All Night's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Boogie All Night by A.C. Reed, Maurice John Vaughn to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Late | Guitar Shorty | C Major | 8 | 8B | 92 BPM | ||
| Going Back Down South | John Primer | F Major | 5 | 7B | 178 BPM | ||
| Sitting On Top Of The World | Eddie Shaw | C Major | 4 | 8B | 181 BPM | ||
| Love Like I Wanna | Buster Benton | F Major | 7 | 7B | 116 BPM | ||
| Roll Your Moneymaker | Hound Dog Taylor | B Major | 7 | 1B | 194 BPM | ||
| Whiskey Flavored Tears | Lil Ed & The Blues Imperials | D Major | 8 | 10B | 112 BPM | ||
| My Baby's So Ugly | Eddie Shaw | C Major | 6 | 8B | 118 BPM | ||
| Too Drunk To Drive Drunk | Joe Louis Walker | E Major | 9 | 12B | 145 BPM | ||
| Nasty Habits | Tommy Castro | C Major | 6 | 8B | 109 BPM | ||
| Blues This Morning | Queen Sylvia Embry | G Major | 6 | 9B | 127 BPM | ||
| Too Sorry | Doyle Bramhall | A Major | 4 | 11B | 119 BPM | ||
| You Don't Want Me | Earl Hooker | G Major | 5 | 9B | 113 BPM | ||
| Computer Took My Job | A.C. Reed, Maurice John Vaughn | E♭ Major | 6 | 5B | 137 BPM | ||
| Baby, Please | Mighty Joe Young | C Major | 8 | 8B | 91 BPM | ||
| Ninety-Nine and One Half | Tommy Castro | A Major | 6 | 11B | 102 BPM | ||
| Groove - Take 2 | Hubert Sumlin | E Major | 4 | 12B | 166 BPM | ||
| She's Tuff | The Fabulous Thunderbirds | A Major | 6 | 11B | 109 BPM | ||
| Sugar Mama | Big Walter Horton | A Major | 5 | 11B | 151 BPM | ||
| All For Business | Byther Smith | C Major | 6 | 8B | 109 BPM | ||
| Dimples | Doyle Bramhall | F♯ Minor | 7 | 11A | 128 BPM | ||
| I Have The Same Old Blues | Magic Sam, Eddie Shaw | F Minor | 6 | 4A | 111 BPM | ||
| Pontiac Blues | Sugar Blue | C Major | 6 | 8B | 117 BPM | ||
| I Gotta Let You Go (feat. Gary Clark, Jr.) | Omar and The Howlers, Gary Clark Jr. | A Major | 6 | 11B | 114 BPM | ||
| No Sense | Nick Moss Band, Dennis Gruenling | E Major | 7 | 12B | 96 BPM | ||
| I Done Got Over It | Lazy Lester | B♭ Major | 8 | 6B | 78 BPM |