Coral Filhos de Iemanjá's ' "Beijada Está de Ronda" was released on its scheduled release date, September 1, 2014. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Beijada Está de Ronda's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 13 in Cosme, Damião e Doum by Coral Filhos de Iemanjá. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. In terms of popularity, Beijada Está de Ronda is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Beijada Está de Ronda by Coral Filhos de Iemanjá is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cigana Rosa Proibida | Curimba Filhos de Jurema | F Major | 6 | 7B | 92 BPM | ||
| Exu João Caveira: Servo de Omolu | Davi D' Oxóssi | F♯ Major | 5 | 2B | 109 BPM | ||
| Ponto De Xangô | Zé Maurício Machline | D Minor | 5 | 7A | 91 BPM | ||
| Seu Baluae | Filhas de Iemanja | D Major | 7 | 10B | 102 BPM | ||
| Ponto de Coral | Filhos de Iemanja | F♯ Major | 3 | 2B | 68 BPM | ||
| Caboclo da Cachoeira | J.B. De Carvalho | E♭ Minor | 6 | 2A | 127 BPM | ||
| Saudação ao Preto Velho I | Filhos de Iemanja | F♯ Major | 5 | 2B | 124 BPM | ||
| Iemanja (Eram Duas Ventarolas / Debaixo da Pedra / Pelas Ondas do Mar) | Mãe Taiane Macedo, CUMOA | F Major | 7 | 7B | 150 BPM | ||
| Filhos de Pemba | Nelson Mateus e Filhas de Iemanjá | A Minor | 6 | 8A | 104 BPM | ||
| Ponto de Santo Antônio | Pai Pedro Miranda | E♭ Minor | 4 | 2A | 101 BPM | ||
| Bahia de Pai Oxalá | Élcio Póvoa | D♭ Minor | 5 | 12A | 112 BPM | ||
| Yemanja Toque Especial (Zamamungulê) | José Ribeiro e Seus Filhos de Santo do Terreiro Inhasã Egún-Nitá | C Minor | 7 | 5A | 119 BPM | ||
| Exu Tiriri Baixou na Encruzilhada | Cae lopes | C Minor | 5 | 5A | 131 BPM | ||
| Atira, Atira / Ele Atirou / Caboclo Roxo / Seu Arranca-Toco Me Valerá | Pai Pedro Miranda | E Major | 8 | 12B | 116 BPM | ||
| Foi Oxalá/Coroa de Tranca Rua | Lucio Sanfilippo | B Major | 4 | 1B | 167 BPM | ||
| A Jurema É Minha Madrinha | beatriz, Maria Clara | E♭ Minor | 5 | 2A | 83 BPM | ||
| Vovó Tem Saias (Tem Mironga) | Coral Filhos de Iemanjá | F Major | 3 | 7B | 74 BPM | ||
| Acabou o Cativeiro | Marina C. Carneiro, Tenda Mirim Sétima Filial | G Major | 3 | 9B | 81 BPM | ||
| Caboclo Arreia | Alessandra Leão | G Major | 1 | 9B | 173 BPM | ||
| Rei da Encruzilhada | Curimbeiros | F Minor | 4 | 4A | 159 BPM | ||
| Omolu (Obaluaiê São Roque / Atotô Ajuberô / Trê Velhinhos) | Mãe Taiane Macedo, CUMOA | D♭ Major | 8 | 3B | 110 BPM | ||
| Saudação a Todos Os Caboclos | Coral Filhos de Iemanjá | D♭ Minor | 7 | 12A | 205 BPM | ||
| Caboclo Sete Ondas | Marcelo Varanda | A Minor | 4 | 8A | 91 BPM | ||
| Saravá Rainha do Mar | Coral Filhos de Iemanjá | E Major | 6 | 12B | 89 BPM | ||
| O Galo Cantou Na Serra | Coral Filhos de Oxóssi | F♯ Major | 7 | 2B | 112 BPM |