Native Pool Boy, Joey Stylez's 'We're Natives' had a release date set for May 5, 2023. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since We're Natives only contains only one song in the album, we like to consider this song as a single. Based on our data, Ireland was the country where this track was produced or recorded. Based on our statistics, We're Natives's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since We're Natives by Native Pool Boy, Joey Stylez has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With We're Natives being at 144 BPM, the half-time would be 72 BPM with a double-time of 288 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phone Calls | Jay Tyndall | F Major | 5 | 7B | 145 BPM | ||
| Playing on the Radio | Zachery Williamson | B♭ Minor | 9 | 3A | 164 BPM | ||
| Listen To Jones | Chris Buck Band | D♭ Minor | 7 | 12A | 163 BPM | ||
| Bring Back the Good Old Days | Jay Thomas Band | B♭ Minor | 4 | 3A | 152 BPM | ||
| An Armed Society Is A Polite Society | Libertarian Country | D Major | 9 | 10B | 97 BPM | ||
| Hell of a Fight | Leonardville | E♭ Major | 4 | 5B | 117 BPM | ||
| I Ascended | Cole Younger | D♭ Minor | 7 | 12A | 163 BPM | ||
| All I'll Ever Need | 27 Miles to Empty | B Minor | 6 | 10A | 144 BPM | ||
| Candy Mountain Boo | Reece Sullivan | D♭ Minor | 7 | 12A | 163 BPM | ||
| Barstools | Drake Freeman | F♯ Minor | 8 | 11A | 148 BPM | ||
| All That and Then Some | The Walk-Ons | F♯ Major | 8 | 2B | 150 BPM | ||
| All New American Girl | Taylor Goyette | D♭ Major | 4 | 3B | 142 BPM | ||
| Good Girls | TRUMAN | E♭ Major | 6 | 5B | 160 BPM | ||
| Heartland Gold | Mark Burgoss | D♭ Minor | 7 | 12A | 163 BPM | ||
| Damn Pills | Charlie Collins | F Minor | 7 | 4A | 115 BPM | ||
| Twisted | Gundo | G Major | 5 | 9B | 126 BPM | ||
| That's What It Means To Be An American | Douglas Riley | F♯ Major | 9 | 2B | 125 BPM | ||
| End Game | HOTBIRD | F♯ Major | 6 | 2B | 83 BPM | ||
| She Goes Jack | Jason Nix | D Major | 6 | 10B | 176 BPM | ||
| Rewrite My Memories | Joshua Everson | D♭ Minor | 7 | 12A | 163 BPM | ||
| Fork in the Road | Fuzzy Face | E Minor | 7 | 9A | 120 BPM | ||
| Like Good Men Do | Kaspen Haley & Boxelder Stomp | F Major | 3 | 7B | 151 BPM | ||
| Sound Of A Breaking Heart | Willie Tate | E Major | 4 | 12B | 85 BPM | ||
| Red Mountain Sound | Matty Miller & The Barge Boys | D♭ Major | 9 | 3B | 123 BPM | ||
| Missin' the Boat | Ty Wilson | D♭ Minor | 7 | 12A | 163 BPM |