Howard Roberts's 'Ah-Moore' had a release date set for November 10, 2010. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Ah-Moore's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Chord Explorer". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Ah-Moore is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ah-Moore by Howard Roberts having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mi Cosa - Take 1 | Wes Montgomery Trio | D♭ Minor | 0 | 12A | 98 BPM | ||
| Autumn in New York - Bonus Track | Bobby Timmons, Jimmy Bond, Peter Littman | F Major | 1 | 7B | 69 BPM | ||
| All The Way - Rudy Van Gelder Edition / 2007 / Digital Remaster | Lee Morgan | C Minor | 2 | 5A | 117 BPM | ||
| In A Sentimental Mood | Tommy Flanagan Trio | D Minor | 1 | 7A | 79 BPM | ||
| Until The Real Thing Comes Along | Gene Harris | B♭ Major | 1 | 6B | 138 BPM | ||
| 'Round About Midnight | Dizzy Reece | B♭ Minor | 2 | 3A | 55 BPM | ||
| Love For Sale | Junior Mance | F Minor | 3 | 4A | 125 BPM | ||
| What Is There to Say? | Chico Hamilton | B Minor | 0 | 10A | 96 BPM | ||
| Sunny | George Van Eps | F Minor | 0 | 4A | 76 BPM | ||
| Take The "A" Train | Billy Strayhorn | C Major | 1 | 8B | 91 BPM | ||
| Stella By Starlight | The Cannonball Adderley Quintet | G Minor | 3 | 6A | 80 BPM | ||
| Sunset Concerto | Gil Melle | G Major | 2 | 9B | 93 BPM | ||
| Summer In Central Park - Remastered | Horace Silver | D Minor | 5 | 7A | 135 BPM | ||
| Night Lights - 1965 Version | Gerry Mulligan Sextet | A♭ Major | 1 | 4B | 122 BPM | ||
| Slam | Howard Roberts | C Minor | 3 | 5A | 123 BPM | ||
| Willow Weep for Me | Tommy Flanagan Trio | G Major | 4 | 9B | 132 BPM | ||
| Raisin: It's a Deal | Judd Woldin, Joe Morton, Howard Roberts | E Major | 5 | 12B | 130 BPM | ||
| A Flower Is A Lovesome Thing | Billy Strayhorn | F♯ Major | 2 | 2B | 75 BPM | ||
| Between The Devil And The Deep Blue Sea | Howard Roberts | A♭ Major | 2 | 4B | 148 BPM | ||
| Why Was I Born? | George Van Eps | F Minor | 0 | 4A | 70 BPM | ||
| When It's Sleepy Time Down South | Billy Bauer | F Minor | 1 | 4A | 70 BPM | ||
| Topsy | Bob Enevoldsen, Marty Paich, Red Mitchell, Howard Roberts, Don Heath, Larry Bunker | D Minor | 2 | 7A | 150 BPM | ||
| Garr | Jaki Byard | F Minor | 3 | 4A | 100 BPM | ||
| Elegant Soul | Gene Harris & The Three Sounds | F Minor | 4 | 4A | 153 BPM | ||
| Day in, Day Out | Plas Johnson, Larry Bunker, Gene Estes, Vic Feldman, Paul Smith, Ernie Freeman, Howard Roberts, Ray Johnson, Rene Hall, Bill Pittman, Red Callender, Earl Palmer, Gerald Wilson | G Minor | 2 | 6A | 142 BPM |