"Precious Weeks" by Arthur Sharpe had its release date on November 5, 2021. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The Electrical Life of Louis Wain (Original Motional Picture Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Precious Weeks is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Precious Weeks by Arthur Sharpe having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Growing Up Haywood | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| 92nd time | Yasuhiro Maeda | G Major | 0 | 9B | 120 BPM | ||
| Funeral | Anne Niktin | D Minor | 1 | 7A | 63 BPM | ||
| Wait Wait Stop Stop | Marius de Vries | G Major | 4 | 9B | 95 BPM | ||
| Dave's Song | Tay Strathairn | B♭ Major | 3 | 6B | 101 BPM | ||
| Melusine | Summer Mastous | A Major | 1 | 11B | 95 BPM | ||
| Let Me Be With You | Keaton Henson | C Major | 0 | 8B | 70 BPM | ||
| Amuse Bouche (Reprise) | Colin Stetson, Chloe Eustache, Greg Fox, Matt Combs | C Minor | 4 | 5A | 150 BPM | ||
| Theme from Nightmare Alley - Solo Piano | Nathan Johnson | G Major | 9 | 9B | 90 BPM | ||
| The Museum | Steven Price | D♭ Minor | 0 | 12A | 77 BPM | ||
| Ocean Liner | Arthur Sharpe | C Major | 2 | 8B | 76 BPM | ||
| The Island Comes to Church | Carter Burwell | F Minor | 2 | 4A | 88 BPM | ||
| Prison of Opulence | Joel P West | G Major | 0 | 9B | 120 BPM | ||
| Nothing Could Possibly Matter More | Son Lux | C Major | 2 | 8B | 74 BPM | ||
| Let Me Go | Son Lux | B Major | 1 | 1B | 68 BPM | ||
| Cortege | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Mith Matricide | Arthur Sharpe | D Minor | 1 | 7A | 98 BPM | ||
| 4.3 Courante | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | C Minor | 4 | 5A | 103 BPM | ||
| Birnam Wood | Carter Burwell | D Major | 2 | 10B | 80 BPM | ||
| Elizabeth Terrace | Arthur Sharpe | C Major | 0 | 8B | 72 BPM | ||
| In My Breath | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| Fire Temple | Bobby Krlic | F♯ Major | 3 | 2B | 81 BPM | ||
| Elisabeth or no other | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | D Major | 3 | 10B | 49 BPM | ||
| Grandma Picked a Good Spot | Emile Mosseri | F♯ Major | 2 | 2B | 170 BPM | ||
| Amsterdam (Ending) | Daniel Pemberton | C Major | 1 | 8B | 75 BPM |