- BPM
- 85
- Key
- D Major
- Camelot
- 10B
Can Can by Various World Reknowed Orchestras And Conductors Song Details
Various World Reknowed Orchestras And Conductors's ' "Can Can" was released on its scheduled release date, January 1, 2006. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Can Can is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
The tempo marking of Can Can by Various World Reknowed Orchestras And Conductors is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -11.918 dB
- Acousticness
- 81%
- Danceability
- 25%
- Energy
- 67%
- Instrumentalness
- 66%
- Liveness
- 12%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 51%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Bayadere, Act III: 47. "Variation - Nikiya and Solor, Scarf. Coda. Finale" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 78 BPM | |
 | Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | |
 | Waltz Of The Flowers | Various World Reknowed Orchestras And Conductors | D Major | 2 | 10B | 94 BPM | |
 | Humoresque in G-Flat Major, Op. 101, B. 187 | Antonín Dvořák, Prague Symphony Orchestra, Václav Smetáček | B Major | 0 | 1B | 168 BPM | |
 | Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | |
 | Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | |
 | Giselle, Act 2: No. 11 Myrtha’s First Variation, Myrtha summons the Wilis | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | |
 | Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | |
 | Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | |
 | Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra, Alfred Scholz | G Major | 0 | 9B | 120 BPM | |
 | Symphony No. 9 in E Minor, From The New World: Symphony No. 9 "New World Symphony": III. Scherzo - Molto vivace | Antonín Dvořák, Budapest Philharmonic Orchestra, Rico Saccani | C Major | 1 | 8B | 132 BPM | |
 | Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 2 | 4B | 128 BPM | |
 | Suite No. 2, P. 138: I. Laura Soave: Balletto Con Gagliarda, Saltarello E Canario: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 107 BPM | |
 | Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Minor | 2 | 6A | 93 BPM | |
 | Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | |
 | Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | |
 | Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | |
 | España, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | F Major | 3 | 7B | 118 BPM | |
| Violin Concerto In D | Various World Reknowed Orchestras And Conductors | D Major | 1 | 10B | 78 BPM | |
 | Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | |
 | La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | |
| The Dance of the Snowflakes | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | C Major | 0 | 8B | 93 BPM | |
 | The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | |
 | Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | |
 | Strauss, Johann II: Kaiser-Walzer, Op. 437 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 103 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records