Mathias Ruegg, Vienna Art Orchester, Dee Dee Bridgewater's ' "They Can't Take That Away From Me (From "Shall We Dance")" was released on its scheduled release date, January 1, 1990. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. They Can't Take That Away From Me (From "Shall We Dance")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 8 in American Rhapsody: A Tribute to George Gershwin by Vienna Art Orchester. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, They Can't Take That Away From Me (From "Shall We Dance")'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of They Can't Take That Away From Me (From "Shall We Dance") by Mathias Ruegg, Vienna Art Orchester, Dee Dee Bridgewater is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peachtone Signal | JazzInk | D♭ Minor | 6 | 12A | 124 BPM | ||
| Paper Airplanes | Sherbourne Rivers | F Major | 4 | 7B | 77 BPM | ||
| Soon (From "Strike Up The Band") | Mathias Ruegg, Vienna Art Orchester, Monica Zetterlund, Art Farmer, Uli Scherer, Heiri Känzig, Gregor Hilbe | G Minor | 3 | 6A | 115 BPM | ||
| Thirsty in the Bathtub (feat. Rosario Bonaccorso, Nicola Angelucci, Fabrizio Bosso) | Olivia Trummer, Rosario Bonaccorso, Nicola Angelucci, Fabrizio Bosso | A♭ Major | 1 | 4B | 121 BPM | ||
| Dreams | Rachel Lauren | G Major | 1 | 9B | 122 BPM | ||
| Classic | Cadence Union | D Major | 2 | 10B | 106 BPM | ||
| Something Bigger | Lauren Henderson, Jon Lampley, Michael Thurber | F Major | 3 | 7B | 97 BPM | ||
| Wise Women Know | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | F Major | 1 | 7B | 57 BPM | ||
| A Song from..?* Für die linke Hand | Mathias Ruegg | D Minor | 1 | 7A | 72 BPM | ||
| Song of the Nightingale | Mathias Ruegg | A Minor | 2 | 8A | 114 BPM | ||
| Eco de sax | Kaelux | G Major | 2 | 9B | 171 BPM | ||
| This Could Be The Start of Something Big | Sibel Köse Septet | D Minor | 5 | 7A | 134 BPM | ||
| Full Moon and Empty Arms | On The Corner | B♭ Major | 3 | 6B | 98 BPM | ||
| Not Mine | Noirettes | C Major | 1 | 8B | 70 BPM | ||
| The Nightingale | Mathias Ruegg | A Minor | 2 | 8A | 114 BPM | ||
| Faith in Love | Lia Pale, Mathias Ruegg | C Major | 1 | 8B | 140 BPM | ||
| Ceiling Rhythm | Sky Bar Session | C Minor | 4 | 5A | 170 BPM | ||
| Relaxing Jazz Music | Cozy Place | C Minor | 1 | 5A | 66 BPM | ||
| Light Before the Decision | Selva Lune | A Minor | 1 | 8A | 68 BPM | ||
| Starlit Drift | Azure Ensemble | D Minor | 2 | 7A | 183 BPM | ||
| Abuelo | Manu Norena | B♭ Major | 4 | 6B | 78 BPM | ||
| The Tavern - Winterreise D.911, Op. 89 | Lia Pale, Mathias Ruegg | B♭ Major | 1 | 6B | 81 BPM | ||
| Sunlight on your Skin | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| Good Night - Winterreise D.911, Op. 89 | Lia Pale, Mathias Ruegg | G Minor | 1 | 6A | 131 BPM | ||
| Old Trumpet | The Pipe Club | E♭ Major | 2 | 5B | 179 BPM |