Anuradha Paudwal's 'Aamaar Chetona' had a release date set for April 3, 1994. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anuradha Paudwal's "Maago Anandomoyee" album is number 1 out of 15. On top of that, India appears to be the country where this track was created. Based on our statistics, Aamaar Chetona's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aamaar Chetona by Anuradha Paudwal to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ramayane Ramchandra | Bappi Lahiri | D♭ Minor | 7 | 12A | 80 BPM | ||
| Aga Bhage Hori Amar | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Parbinema Sachimata | Parikshit Bala | E♭ Minor | 5 | 2A | 136 BPM | ||
| Sokhi Bhabona Kahare Bole | Rezwana Choudhury Bannya | A♭ Major | 4 | 4B | 160 BPM | ||
| Ekbar Biday De Ma Ghure Aasi | Calcutta Choir, Traditional | C Minor | 2 | 5A | 177 BPM | ||
| Jati Chara Jai Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Jokhon Tomhar Keu Chelo Na | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Patho Cheye Bose Achi | Babul Bose, Babul Supriyo | A♭ Major | 2 | 4B | 93 BPM | ||
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM | ||
| Mon Tor Eto Bhabna | Srikanta Acharya | D Major | 4 | 10B | 154 BPM | ||
| Tumi Je Shurer Agun | Rezwana Choudhury Bannya | G Major | 4 | 9B | 125 BPM | ||
| Aji Jhorer Rate | Srikanta Acharya | G Minor | 5 | 6A | 120 BPM | ||
| Natun Purush Natun Purush | Bhupen Hazarika, Jayanta Hazarika | A Major | 3 | 11B | 146 BPM | ||
| Kolkata Kebol Bhule Bhora | Ramkumar Chattopadhyay | C Minor | 4 | 5A | 78 BPM | ||
| Ami Chilam Putra Jamidar | Gostho Gopal Das | E Major | 2 | 12B | 109 BPM | ||
| Ki Dhan Ami Chaibo Raja Go | Sabina Yasmin, Tojamel Haque Bakul | A♭ Major | 5 | 4B | 109 BPM | ||
| Ghorir Kata Jemon Chole | Sanajit Mondal | E Major | 6 | 12B | 101 BPM | ||
| Sadhan Bhajan Janine Maa Go | Amrik Singh Arora | A Major | 3 | 11B | 123 BPM | ||
| O Nithur Kalare | Sabina Yasmin | A♭ Major | 6 | 4B | 197 BPM | ||
| Ore Ki Chai Ki Chai Na | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Sabar Hridaye Rabindranath | Bhupen Hazarika | B Minor | 4 | 10A | 152 BPM | ||
| Amar Pujar Thalay | Manomay Bhattacharya | F Major | 4 | 7B | 140 BPM | ||
| Kato Bhalobasi Ami | Kumar Sanu, Anuradha Paudwal | G Major | 7 | 9B | 130 BPM | ||
| Shiv Kailasho Ke Wasi | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | F♯ Major | 5 | 2B | 130 BPM | ||
| Mon Tomar Ei Bhram Gelo Na | Bibhabendu Bhattacharya | B Major | 5 | 1B | 160 BPM |