Jim Perkins's 'Prelude in G' had a release date set for July 19, 2024. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Prelude in G only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Prelude in G is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude in G by Jim Perkins having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Racing To Belong (Re-imagined) | Frances Shelley, Cedric Vermue | B♭ Minor | 6 | 3A | 110 BPM | ||
| Solregn | Julia Gjertsen | E Major | 1 | 12B | 206 BPM | ||
| The Wheel | Jim Perkins | G Major | 1 | 9B | 100 BPM | ||
| Longhope - Edit | Erland Cooper, Hiroshi Ebina, Hinako Omori | F♯ Major | 4 | 2B | 137 BPM | ||
| A Tiny Ripple That Becomes A Giant Wave | Slow Meadow | G Major | 0 | 9B | 62 BPM | ||
| Staircase to Nowhere | Jim Perkins | D♭ Minor | 3 | 12A | 71 BPM | ||
| Everything Becomes Still - Jim Perkins Reinterpretation | Liam J Hennessy, Jim Perkins | A Minor | 2 | 8A | 120 BPM | ||
| Coppice | Benjamin Gustafsson | D Major | 2 | 10B | 182 BPM | ||
| Reunion | Ceeys | B♭ Minor | 2 | 3A | 123 BPM | ||
| On an Evening, At the Lake | Felix Rösch, mondëna quartet | B♭ Major | 1 | 6B | 79 BPM | ||
| Current | Phoria | A♭ Minor | 1 | 1A | 78 BPM | ||
| Into Silence II | Jane Antonia Cornish, Vicky Chow | C Major | 0 | 8B | 71 BPM | ||
| Duvet | Niklas Paschburg, Andy Barlow | F♯ Major | 2 | 2B | 73 BPM | ||
| Moving Slowly | Wilson Trouvé | F♯ Major | 1 | 2B | 90 BPM | ||
| Beneath the Willow | Jim Perkins, Ben Crosland | D Major | 1 | 10B | 65 BPM | ||
| The Long Road | Jim Perkins, Chris Green-Armytage | A Minor | 1 | 8A | 85 BPM | ||
| Unasked Questions | Dmitry Evgrafov | C Minor | 0 | 5A | 102 BPM | ||
| Ukiyo (A Floating World) | Mirla, Kenji Azuma | C Minor | 1 | 5A | 110 BPM | ||
| Constance | Jim Perkins, Nick Barr, Aisha Orazbayeva, Tony Woollard, Steve Rossell, Jean Kelly | G Major | 1 | 9B | 74 BPM | ||
| Sol Novo - Hugar Rework | Olivia Belli, Hugar | G Major | 1 | 9B | 91 BPM | ||
| Acceptance | Snorri Hallgrímsson | A♭ Major | 0 | 4B | 149 BPM | ||
| Little Boy in a Space Suit | Nils Frahm | F Major | 0 | 7B | 156 BPM | ||
| People | Oliver Patrice Weder | G Minor | 2 | 6A | 129 BPM | ||
| Pink And Golden Billows | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
| Viaje a Cusco | Sergio Díaz De Rojas | E♭ Major | 2 | 5B | 94 BPM |