田中 健's '昼さがり' had a release date set for June 1, 1977. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 幸福と涙のあと / 昼さがり, so we believe that "昼さがり" is a single. The popularity of 昼さがり is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 昼さがり by 田中 健 is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 余白の街(オーケストラアレンジ) | Takao Kisugi | C Major | 2 | 8B | 132 BPM | ||
| やいま(八重山) | Masao Sen | A♭ Major | 6 | 4B | 145 BPM | ||
| 魔女 & Monster | Mayo Shono | B Minor | 7 | 10A | 135 BPM | ||
| 終の棲みか | Takao Horiuchi | A Major | 4 | 11B | 96 BPM | ||
| 希望の枯葉 | Junko Akimoto | A Minor | 3 | 8A | 80 BPM | ||
| 薔薇(ばら)色の人生 | Kai Band | A Minor | 3 | 8A | 120 BPM | ||
| 僕の歌が風に吹かれて | 大塚 浩司 | G Major | 2 | 9B | 118 BPM | ||
| 鏡の風 | Takao Kisugi | D♭ Minor | 3 | 12A | 142 BPM | ||
| October~リリー・カサブランカ~ | Masashi Sada | B♭ Major | 3 | 6B | 137 BPM | ||
| 悲しき口笛(Live at 東京国際フォーラム 2022) | Keisuke Yamauchi | C Minor | 5 | 5A | 88 BPM | ||
| 見送った季節のあとで | Hakudo Otsuka | B♭ Minor | 6 | 3A | 179 BPM | ||
| Far away | Takao Horiuchi | D Major | 4 | 10B | 77 BPM | ||
| 下北沢エレジー | 辰巳ゆうと | A♭ Minor | 5 | 1A | 123 BPM | ||
| 青春の傷み | Kaguyahime | C Minor | 5 | 5A | 115 BPM | ||
| 約束しようよ | Kaze | A Major | 7 | 11B | 128 BPM | ||
| バス・ストップ2 | 保科有里 | E Major | 4 | 12B | 117 BPM | ||
| つまり、愛してる | Takao Kisugi | E♭ Major | 5 | 5B | 92 BPM | ||
| 京都 木屋町あたり | Yuko Nagisa | D♭ Major | 5 | 3B | 104 BPM | ||
| 素面酒 | 永井龍雲 | F Major | 5 | 7B | 88 BPM | ||
| サマータイムブルースが聴こえる | Takuro Yoshida | C Major | 8 | 8B | 129 BPM | ||
| 心がわり | ロス・プリモス | A Minor | 5 | 8A | 101 BPM | ||
| なごりのあとだけ | 因幡晃 | E♭ Minor | 1 | 2A | 180 BPM | ||
| フラッシュ バック | 田中 健 | D Minor | 9 | 7A | 123 BPM | ||
| むらさきブルース | 真木 ひでと | B Major | 4 | 1B | 84 BPM | ||
| 夕焼けの町 | Kozo Murashita | G Major | 2 | 9B | 115 BPM |