On 2005, the song "Arji Amari Suno Shrinathji" was released by Master Rana. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Arji Amari Suno Shrinathji's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Shreenathji Ni Mala". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. Arji Amari Suno Shrinathji is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Arji Amari Suno Shrinathji by Master Rana having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Narnarayan Strotra | Shree Swaminarayan Mandir Kalupur | E♭ Major | 4 | 5B | 100 BPM | ||
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| Birajo Bajoth Dhali - Original | Jignesh Dada, NA | A♭ Major | 4 | 4B | 117 BPM | ||
| Karo Hukam Dwarikadhish | Viren Prajapati | E Major | 5 | 12B | 140 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Maithili Shiv Bhajan | Lalan Jha Priyadarshi | E Major | 8 | 12B | 150 BPM | ||
| Kare Bhagat Teri Arti | Rakesh Tiwari | B♭ Minor | 5 | 3A | 73 BPM | ||
| Shambhu Sharne Padi | Tanvi Senjaliya | A Minor | 4 | 8A | 175 BPM | ||
| Gopal Maro Paaraniye Jhule Re | Asif Jeriya, Ami Joshi | F Major | 5 | 7B | 143 BPM | ||
| Radhaji Na Dadaji Ae | Master Rana | B♭ Minor | 6 | 3A | 110 BPM | ||
| Bhajman Bam Bam Bholenath | Hemant Chauhan | A♭ Major | 8 | 4B | 85 BPM | ||
| Bahuchar Bavani | Atul Purohit, Himali Vora, Iqbal Meer | E Major | 6 | 12B | 94 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Jag Jayenge | Devendra Pathak | F♯ Major | 9 | 2B | 80 BPM | ||
| NADATUNIYA NAAD NIRMITO | DHANANJAY MUSKEKAR | E♭ Major | 6 | 5B | 85 BPM | ||
| Madi Ashapura Ne | Master Rana | F Minor | 6 | 4A | 68 BPM | ||
| Radha Rupadi | Atul Purohit | A♭ Minor | 3 | 1A | 139 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Aalndi He Gav He Punya Bhumi Thav | Rekha Manvatkar | D♭ Major | 8 | 3B | 91 BPM | ||
| Jai Jai Maharani Yamuna Aarti | Milpa Patel, Master Rana | G Major | 6 | 9B | 79 BPM | ||
| Ha Re Me To Nirakhya | BAPS Swaminarayan Sanstha | G Major | 4 | 9B | 156 BPM | ||
| Achyutam Keshavam | Chetna Shukla | F♯ Major | 8 | 2B | 140 BPM | ||
| Tataniya Dharawali Khodal Mata | Meena Patel | C Major | 7 | 8B | 155 BPM | ||
| Malik Mharo Sanwariya | Sanjay Mittal | B Major | 7 | 1B | 80 BPM | ||
| Rama Rama Sai Rama | Sri Sathya Sai Bhajans | F♯ Major | 6 | 2B | 106 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM |