"Adagio and Allegro, Op. 70 (arr. for viola and piano)" by Tabea Zimmermann, Robert Schumann, Hartmut Höll had its release date on January 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Schumann, R.: Adagio and Allegro / Fantasiestucke / 3 Romanzen / Violin Sonata No. 1 / Marchenbilder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Adagio and Allegro, Op. 70 (arr. for viola and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adagio and Allegro, Op. 70 (arr. for viola and piano) by Tabea Zimmermann, Robert Schumann, Hartmut Höll having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Sonata in D Minor, L. 135: II. Serenade: Modérément anime - | Claude Debussy, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: III. Adagio | Felix Mendelssohn, Artemis Quartet | D Major | 1 | 10B | 126 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: II. Scherzo (Allegro molto) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Piano Trio in D Minor, Op. 120: I. Allegro, ma non troppo | Gabriel Fauré, Pierre Fouchenneret, Raphaël Merlin, Simon Zaoui | G Minor | 1 | 6A | 88 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | C Major | 0 | 8B | 102 BPM | ||
| Ysaÿe: Rêve d’enfant, Op. 14 | Eugène Ysaÿe, Renaud Capuçon | B♭ Minor | 1 | 3A | 67 BPM | ||
| Sonata for 2 Violins, Op.56: I. Andante cantabile | Itzhak Perlman, Pinchas Zukerman | G Major | 0 | 9B | 98 BPM | ||
| Mendelssohn: String Quartet No. 3 in D Major, Op. 44 No. 1, MWV R30: I. Molto allegro vivace | Felix Mendelssohn, Artemis Quartet | D Major | 1 | 10B | 83 BPM | ||
| String Sextet No. 1, Op. 18: IV. Rondo. Poco allegretto e grazioso | Johannes Brahms, Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras | B♭ Major | 1 | 6B | 86 BPM | ||
| Korngold: Incidental Music to "Much Ado About Nothing", Op. 11: Garden Scene | Erich Wolfgang Korngold, Renaud Capuçon, Jerome Ducros | C Major | 4 | 8B | 116 BPM | ||
| Arpeggione Sonata, D. 821 (Arr. for Viola and Piano): III. Allegretto | Franz Schubert, Tabea Zimmermann, Kirill Gerstein | E Major | 0 | 12B | 113 BPM | ||
| Reinecke: Flute Sonata, Op. 167 "Undine": III. Andante tranquillo | Carl Reinecke, Emmanuel Pahud, Yefim Bronfman | G Major | 0 | 9B | 69 BPM | ||
| Violin Concerto in A Minor, Op. 82: II. Andante | Alexander Glazunov, Julia Fischer, Russian National Orchestra, Yakov Kreizberg | A♭ Major | 0 | 4B | 106 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| España, Op. 165: Tango - for alto and piano | Isaac Albéniz, Tabea Zimmermann, Javier Perianes | D Major | 0 | 10B | 80 BPM | ||
| Piano Quartet In E Flat, Op.87, B. 162: 2. Lento | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | F♯ Major | 1 | 2B | 93 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| Bartók / Compl. Serly: Viola Concerto, Sz. 120: I. Moderato | Béla Bartók, Tabea Zimmermann, David Shallon, Bavarian Radio Symphony Orchestra | E Major | 0 | 12B | 81 BPM | ||
| Suleika, Op. 34/4 | Nils Mönkemeyer | E Minor | 1 | 9A | 114 BPM | ||
| Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
| Concerto for Viola and Orchestra: II. Vivo e molto preciso | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 2 | 8A | 144 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 74 BPM | ||
| Cello Concertino No. 1 in C Major, Op. 7: I. Allegro | Julius Klengel, Mari Kato, Martin Rummel | C Major | 2 | 8B | 129 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: II. Idylle | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | B♭ Major | 1 | 6B | 166 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Kungsbacka Piano Trio, Philip Dukes | G Minor | 0 | 6A | 115 BPM |