"Japan, 1609" by Benjamin Wallfisch had its release date on June 6, 2025. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Predator: Killer of Killers (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Japan, 1609 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Japan, 1609 by Benjamin Wallfisch having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flares | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| Glorious Purpose | Natalie Holt | C Minor | 2 | 5A | 68 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| Rubber Head | Cliff Martinez | E Major | 1 | 12B | 67 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| 27 Years Later | Benjamin Wallfisch | D Minor | 2 | 7A | 82 BPM | ||
| Simple Harp | Martin Phipps, The Chamber Orchestra Of London | A Minor | 0 | 8A | 204 BPM | ||
| Table For Two | Abel Korzeniowski | B♭ Minor | 1 | 3A | 132 BPM | ||
| Family Ties | Marco Beltrami | G Major | 1 | 9B | 64 BPM | ||
| Illustrazione | Stephan Bark, Humanix | D♭ Minor | 3 | 12A | 90 BPM | ||
| Encouraging Feedback | Marco Beltrami | E Major | 2 | 12B | 63 BPM | ||
| Mission Log Reports | Daniel Ciurlizza | E♭ Major | 0 | 5B | 66 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| The Day Will Come | Bear McCreary | D Minor | 1 | 7A | 108 BPM | ||
| The Diana Effect | Martin Phipps | C Major | 3 | 8B | 143 BPM | ||
| Disoriented | Ben Salisbury, Geoff Barrow | C Major | 0 | 8B | 159 BPM | ||
| 407.7 You Are The Storm | Mac Quayle | F Major | 3 | 7B | 94 BPM | ||
| Loved Ones and Leaving | Nicholas Hooper | D Major | 1 | 10B | 90 BPM | ||
| Pure spirits of the forest | James Horner | C Major | 0 | 8B | 97 BPM | ||
| Harry & Hermione | Nicholas Hooper | C Major | 0 | 8B | 90 BPM | ||
| Overheating | Atli Örvarsson | F Minor | 5 | 4A | 160 BPM | ||
| Atonement | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | A Major | 0 | 11B | 85 BPM |