135's ' "Catch〜次の夏が来るように〜" was released on its scheduled release date, May 30, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in 135's "moment +2" album is number 12 out of 13. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Catch〜次の夏が来るように〜 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Catch〜次の夏が来るように〜 by 135 to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mugon Geki - New Take | THE ALFEE | D Major | 7 | 10B | 132 BPM | ||
| HAPPY BIRTHDAY | Yuji Oda | C Major | 7 | 8B | 86 BPM | ||
| 今宵はありがとう | Sharam Q | G Major | 3 | 9B | 137 BPM | ||
| 青空 | Misato Watanabe | E Major | 5 | 12B | 142 BPM | ||
| From The Past To The Future | THE ALFEE | B Minor | 8 | 10A | 152 BPM | ||
| 雨の日はバラードで | Takajin Yashiki | A♭ Major | 4 | 4B | 92 BPM | ||
| 吠えろこの街に - Remastered 2022 | Eikichi Yazawa | A Minor | 6 | 8A | 202 BPM | ||
| 真実・愛ホテル | Junretsu | B Minor | 7 | 10A | 127 BPM | ||
| いくつかの場面 | Kenji Sawada | F Major | 3 | 7B | 125 BPM | ||
| SHO-NEN | Yasuhiro Abe | B Minor | 7 | 10A | 124 BPM | ||
| 恋人の歌がきこえる | THE ALFEE | D♭ Minor | 7 | 12A | 150 BPM | ||
| 夢勘定はひとり事 | 135 | F Major | 5 | 7B | 130 BPM | ||
| A-LA-BA・LA-M-BA (2025 REMASTER VERSION) | Koji Kikkawa | D Major | 10 | 10B | 160 BPM | ||
| OH MY GOD! | Fumina Hisamatsu | G Major | 9 | 9B | 110 BPM | ||
| アウトロ | Takuro Yoshida | B Major | 8 | 1B | 131 BPM | ||
| 善い酔い嘉い | 一世風靡セピア | B Minor | 9 | 10A | 149 BPM | ||
| Tokyo ga Suki | Keiko Mizukoshi | F♯ Major | 8 | 2B | 111 BPM | ||
| 奈落へ | 135 | F Major | 5 | 7B | 130 BPM | ||
| 僕がどんなに君を好きか、君は知らない | Seishiro Kusunose | B Major | 4 | 1B | 98 BPM | ||
| Kiri no Sofia - New Take | THE ALFEE | F Major | 8 | 7B | 104 BPM | ||
| 夢をのせてアフリカ | 135 | A Major | 5 | 11B | 178 BPM | ||
| デラシネ | 佐藤 隆 | F♯ Major | 10 | 2B | 143 BPM | ||
| Ookina Osewa Summer | Tunnels | B♭ Minor | 5 | 3A | 120 BPM | ||
| ラブ・イズ・オーヴァー(ソング&トーク ライブ~わが輩は歌手である~より) | Takajin Yashiki | F Major | 3 | 7B | 71 BPM | ||
| ラブレター | THE ALFEE | D Minor | 5 | 7A | 90 BPM |