On January 3, 1983, the song "Lami Paal Te Bakarin Chaar" was released by Ramesh Rangila, Sudesh Kapoor. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Lami Paal Te Bakarin Chaar's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Sada Punjab - Lay Lay Saad Ton Nasibo Purhian". In this album, this song's track order is #23. Furthermore, we believe that the track originated from India. Based on our statistics, Lami Paal Te Bakarin Chaar's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Lami Paal Te Bakarin Chaar by Ramesh Rangila, Sudesh Kapoor having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peeni Pendi Ay | Badar Ali Khan | F Major | 5 | 7B | 163 BPM | ||
| Malwe De Chobar Ne | Ramesh Rangila, Sudesh Kapoor | C Minor | 7 | 5A | 112 BPM | ||
| Hick De Jor | Kulwinder Dhillon | D Major | 10 | 10B | 150 BPM | ||
| Chan Mere Makhna - Live | Inayat Hussain Bhatti | F Minor | 6 | 4A | 90 BPM | ||
| Aukha Hoenga Dewra | Rajinder Rajan, Ramesh Rangila | B Minor | 6 | 10A | 121 BPM | ||
| Yaraan Di Botal Da | Kartar Ramla, Sukhwant Kaur | D♭ Minor | 9 | 12A | 101 BPM | ||
| Je Mundeya Sadi Tor | Narinder Biba, K.S.Agnihotri | B Major | 4 | 1B | 119 BPM | ||
| Khali Mud Jave Sade Nahin Irade | Rajinder Rajan, Ramesh Rangila | C Major | 4 | 8B | 101 BPM | ||
| Mehndi La Ke Niklay Ho (Koka) | Manmohan Waris | D♭ Major | 9 | 3B | 175 BPM | ||
| Nikki - Nikki Katten Logrhi | Kuldip Manak, Gulshan Komal | C Major | 6 | 8B | 110 BPM | ||
| Jatt Punjabi | Pammi Bai | A Major | 9 | 11B | 107 BPM | ||
| Patta Patta Singhan | Hans Raj Hans | E Major | 6 | 12B | 80 BPM | ||
| Kala Doriya Bass Trap | Prakash Kaur, Surinder Kaur, Raahi | D Major | 5 | 10B | 100 BPM | ||
| Gori Gall Uttey Til | Surjit Bindrakhia | C Major | 9 | 8B | 167 BPM | ||
| Putt Jattan De | Surinder Shinda | A♭ Major | 3 | 4B | 107 BPM | ||
| Gidde Vich (Live) | Neha Bhasin, Romy | A Major | 5 | 11B | 92 BPM | ||
| Gatta Lachiyanwala | Promila Pammi, Ramesh Rangila | F Minor | 8 | 4A | 92 BPM | ||
| Mitran Main Khand Ban Gaye | Amar Singh Chamkila, Amarjot | E Major | 4 | 12B | 186 BPM | ||
| Tu Ikko Wari Tenki Ull Kara | Ramesh Rangila, Sudesh Kapoor | E Major | 6 | 12B | 121 BPM | ||
| Bol Mitti Deya Baviya | Alam Lohar | E♭ Major | 7 | 5B | 96 BPM | ||
| Gori Gori Veeni | Harbhajan Shera | E Minor | 6 | 9A | 146 BPM | ||
| Satranga Lishkara | Manmohan Waris | A Major | 7 | 11B | 95 BPM | ||
| Mithhe Laare | Sukhwinder Panchhi | G Major | 7 | 9B | 184 BPM | ||
| Soda Water | Coachsahb | G Major | 6 | 9B | 97 BPM | ||
| Nain Preeto Dee | Ramesh Rangila | D Minor | 2 | 7A | 82 BPM |