Sathi Khan's ' "Biswas Koro Bondhu" was released on its scheduled release date, May 4, 2024. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Biswas Koro Bondhu and no other songs are present in the album, we classify this track as a single. In terms of popularity, Biswas Koro Bondhu is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Biswas Koro Bondhu by Sathi Khan is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhanga Buke Tir | Sukumar Baul | F Minor | 5 | 4A | 136 BPM | ||
| Kala Jamidara | Sourav Bharadwaj, SB Smruti, Bishnupriya Acharya | G Major | 7 | 9B | 142 BPM | ||
| Tor Piriter Kangal | Ashraf Rafi, Samz Vai, Alvi Asif | E♭ Minor | 7 | 2A | 148 BPM | ||
| Amar Jan Pakhi Re | FA Sumon | B Minor | 5 | 10A | 78 BPM | ||
| Chander Moto Mukh Dekhiya | Emon Khan, Sathi Khan | F♯ Major | 8 | 2B | 153 BPM | ||
| Probas Mane Mukhe Hasi Mone Jontrona | Adnan Kabir | A Minor | 5 | 8A | 83 BPM | ||
| Satar Vola Manush | Akash Mahmud | D Major | 5 | 10B | 128 BPM | ||
| Mandir Ki Sidhi Chadh Chadh Mangu | Naga Navtra, Paru Rabari | C Major | 2 | 8B | 105 BPM | ||
| Firiye De Na Repirse | Abir Biswas | F Major | 7 | 7B | 187 BPM | ||
| Ki Oporadh paiya Re Bondhu 3 | Foridul Islam | B Major | 4 | 1B | 136 BPM | ||
| Amar Buker Pinjore | Sathi Khan | D♭ Minor | 7 | 12A | 111 BPM | ||
| Shudu Toka | Aurin, Eleyas Hossain | G Minor | 6 | 6A | 180 BPM | ||
| Ki Oporadh Paiya Re Bondhu | Mobarok | B Major | 2 | 1B | 135 BPM | ||
| Agun Lagaiya Dilo Kone | Pagol Hasan | D♭ Major | 9 | 3B | 174 BPM | ||
| Ekta Din Ekta Raat | Konal, Avraal Sahir | F Major | 4 | 7B | 140 BPM | ||
| Allah Aamy Kala Banaise | Atif Ahmed Niloy | F Major | 2 | 7B | 129 BPM | ||
| O Je Mane Na Mana | Mahtim Shakib, Naved Parvez, Dripto | E Major | 6 | 12B | 140 BPM | ||
| Chairo Na Pagol Re - Male Version | Shahrid Belal | C Minor | 6 | 5A | 140 BPM | ||
| Amar Vagge Lekha | Adnan Kabir | A♭ Minor | 4 | 1A | 156 BPM | ||
| Oporadhi 06 | Arman Alif | G Major | 7 | 9B | 93 BPM | ||
| তুই যদি আমার হইতিরে | Tui Jodi Aamar Hoiti Re | Foridul Islam | C Major | 2 | 8B | 105 BPM | ||
| Beter Aara | Gamcha Palash, Ankon | D♭ Major | 7 | 3B | 94 BPM | ||
| Kokhono Bhalobashoni | Sathi Khan, Asif Akbar | G Minor | 2 | 6A | 78 BPM | ||
| Ki Jaadu Oi Chokhe | Zubeen Garg | F Major | 9 | 7B | 128 BPM | ||
| Mon Chay Tomay Dekhte Bondhu | Ariyoshi Synthia | B Major | 9 | 1B | 143 BPM |