Leo Nucci, Salotto Ottocento Ensemble's 'Parlami d'amore Mariù' had a release date set for January 14, 2014. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Parlami d'amore Mariù (feat. Salotto Ottocento Ensemble)". In this album, this song's track order is #11. Parlami d'amore Mariù is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Parlami d'amore Mariù by Leo Nucci, Salotto Ottocento Ensemble having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz) | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | F Major | 2 | 7B | 81 BPM | ||
| Funiculi, funicula | Luigi Denza, Alessandro Ziliani | F Major | 1 | 7B | 127 BPM | ||
| Otto e mezzo - Finale / Remastered 2026 | Nino Rota | D♭ Major | 2 | 3B | 119 BPM | ||
| Il Barbiere di Siviglia: Ah! disgraziato me! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | D Major | 1 | 10B | 106 BPM | ||
| Mattinata | José Carreras | E Major | 3 | 12B | 152 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| L'Edera | Nilla Pizzi | A♭ Major | 2 | 4B | 178 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Bizet: Mi par d'udir ancora | Georges Bizet, Enrico Caruso, Anonymous | A♭ Minor | 2 | 1A | 70 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| Bizet: Carmen, WD 31, Act 2 Scene 2: No. 14, Couplets, "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Chorus) | Georges Bizet, Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Major | 3 | 7B | 116 BPM | ||
| Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
| Torna piccina | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 2 | 4A | 168 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Tosti / Arr Schifrin: Around the World Part 7: Marechiare | Francesco Paolo Tosti, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | A♭ Minor | 2 | 1A | 139 BPM | ||
| Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | C Major | 4 | 8B | 138 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | E Minor | 1 | 9A | 96 BPM | ||
| Cavalleria rusticana (1904 Recording): O Lola (Siciliana) | Pietro Mascagni, Enrico Caruso | F Minor | 2 | 4A | 83 BPM | ||
| Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
| L'ultima canzone (Orch. Faris) | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM |