"First Kisses" by Ludwig Goransson had its release date on May 12, 2017. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. First Kisses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Everything, Everything (Original Motion Picture Score) by Ludwig Göransson. First Kisses is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of First Kisses by Ludwig Goransson is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Another Story | Nicholas Hooper | F Major | 1 | 7B | 70 BPM | ||
| Cops | Stephen Rennicks | E♭ Minor | 1 | 2A | 126 BPM | ||
| Golborne Road | Nick Laird-Clowes | C Major | 1 | 8B | 120 BPM | ||
| What I Love About Charlie (Reprise) | Randy Newman | F♯ Minor | 0 | 11A | 59 BPM | ||
| She Became a Mystery | Ryan Lott | E Minor | 2 | 9A | 72 BPM | ||
| Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| High Magistrate | Joseph Shirley, Ludwig Göransson | A Major | 7 | 11B | 170 BPM | ||
| L'addition | Charlie Mole, Alastair King, The Chamber Orchestra Of London | C Minor | 1 | 5A | 69 BPM | ||
| What You Need Me to Be | Steven Price | A Minor | 0 | 8A | 65 BPM | ||
| Long Reach | Blake Neely | E Minor | 0 | 9A | 140 BPM | ||
| Letter to Pippa | Trevor Gureckis | F Minor | 1 | 4A | 127 BPM | ||
| Killmonger's Dream | Ludwig Goransson | G Minor | 0 | 6A | 81 BPM | ||
| Safe Harbor | Carter Burwell | C Major | 2 | 8B | 76 BPM | ||
| A Game of Croquet | Jóhann Jóhannsson | E Minor | 0 | 9A | 118 BPM | ||
| Moby Dick | Christopher Lennertz | A Minor | 0 | 8A | 67 BPM | ||
| Open the Door | Ludwig Göransson | G Minor | 1 | 6A | 57 BPM | ||
| Until Our Next Adventure | David Wingo | G Major | 1 | 9B | 140 BPM | ||
| Can I Feed Him? | Ludwig Göransson | G Minor | 0 | 6A | 96 BPM | ||
| Goodbye Old Friend | David Hirschfelder | F Major | 0 | 7B | 72 BPM | ||
| Jacob Sees Marlena | James Newton Howard, Peter Anthony, Matt Ward | C Major | 0 | 8B | 64 BPM | ||
| Leave Taking | Stephen Warbeck | G Minor | 0 | 6A | 135 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| Epilogue | Jóhann Jóhannsson | A Minor | 1 | 8A | 136 BPM |