"Rebus (Pro Rebus Harry Vogti)" by Gérard Pesson, Ensemble Recherche had its release date on 2001. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Pesson: Mes béatitudes". In this album, this song's track order is #19. Based on our statistics, Rebus (Pro Rebus Harry Vogti)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rebus (Pro Rebus Harry Vogti) by Gérard Pesson, Ensemble Recherche having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Advertisement | Henry Cowell | G Major | 5 | 9B | 113 BPM | ||
| Piano & Violoncello 26 | Irena And Vojtech Havlovi | E♭ Major | 0 | 5B | 69 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
| Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók, Patricia Kopatchinskaja, Peter Eötvös, Frankfurt Radio Symphony Orchestra | G Major | 0 | 9B | 114 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 85 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E Minor | 0 | 9A | 95 BPM | ||
| Assyrian Women Mourners | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | B♭ Minor | 2 | 3A | 87 BPM | ||
| Folkdance | Meredith Monk, Bruce Brubaker, Ursula Oppens | D Minor | 4 | 7A | 116 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Missa Brevis - III. Agnus Dei | Cello Octet Amsterdam | F Major | 0 | 7B | 167 BPM | ||
| Orpheus, Scene I: Lento sostenuto | London Symphony Orchestra, Robert Craft | A Minor | 2 | 8A | 83 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | E Minor | 0 | 9A | 95 BPM | ||
| Trois Pièces pour Piano: II | Gérard Pesson, Alfonso Alberti | C Major | 0 | 8B | 85 BPM | ||
| Cinq chansons: La porteuse d'eau | Gérard Pesson, Instant Donné, Marion Tassou, Rémy Jannin | G Major | 3 | 9B | 204 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | E Minor | 0 | 9A | 95 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 7. Rewards | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | E Minor | 0 | 9A | 95 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | E Minor | 0 | 9A | 95 BPM | ||
| Trois Mélodies: Élegie | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | B Major | 0 | 1B | 88 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Symphony No. 1: I. [Quarter Note = 60] | Galina Ustvolskaya, London Philharmonic Orchestra, Christian Karlsen | C Major | 0 | 8B | 136 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | E Minor | 0 | 9A | 95 BPM |