"Close in the Distance (From “Final Fantasy XIV: Endwalker”)" by John Oeth had its release date on February 25, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 18 in Final Fantasy XIV: Endwalker Guitar Collection by John Oeth. Close in the Distance (From “Final Fantasy XIV: Endwalker”) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Close in the Distance (From “Final Fantasy XIV: Endwalker”) by John Oeth is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song in the Wind | Tomoki Miyoshi | A♭ Major | 1 | 4B | 116 BPM | ||
| Blest Be the Moonlight -LUNA- | 下村 陽子 | D Minor | 1 | 7A | 173 BPM | ||
| スノウのテーマ ~遺言~ | Naoshi Mizuta | A Minor | 3 | 8A | 144 BPM | ||
| Dark Anomaly | Tomoki Miyoshi | A Minor | 2 | 8A | 142 BPM | ||
| Old Hearth | Tomoki Miyoshi | A Major | 1 | 11B | 104 BPM | ||
| The Girl Who Wore a Flower | マリアム・アボンナサー | G Minor | 2 | 6A | 100 BPM | ||
| Repose | 帆足 圭吾(MONACA) | E Minor | 1 | 9A | 158 BPM | ||
| Yonah - Piano Ver. | SQUARE ENIX MUSIC | G Minor | 1 | 6A | 94 BPM | ||
| Tal Tal Heights | Laurence Manning, Daphnée Sincennes Richard, Lou Dunand-Vincent | A Major | 8 | 11B | 107 BPM | ||
| You're Not Alone (From "Final Fantasy IX") - Acoustic Guitar | John Oeth | A Minor | 1 | 8A | 128 BPM | ||
| The Moonlighter | David Fenn | F Major | 2 | 7B | 185 BPM | ||
| Whirlwind | SCARLET NEXUS Sound Team | A Minor | 3 | 8A | 95 BPM | ||
| Tears in the Rain | Terry:D | A Minor | 1 | 8A | 114 BPM | ||
| Schala's Theme | Malcolm Robinson | B♭ Minor | 5 | 3A | 80 BPM | ||
| Rolanberry Fields | Naoshi Mizuta | G Major | 1 | 9B | 180 BPM | ||
| 祈りの歌 | 山下 愛 | D Minor | 2 | 7A | 148 BPM | ||
| Yonah - Pluck Ver. 1 | SQUARE ENIX MUSIC | C Minor | 1 | 5A | 146 BPM | ||
| Hope’s Theme (From “Final Fantasy XIII”) - Acoustic Guitar | John Oeth | B Minor | 0 | 10A | 79 BPM | ||
| Xenoblade Chronicles 2 (Where We Used to Be) | Laurence Manning | C Minor | 2 | 5A | 79 BPM | ||
| The Sanctuary of Zi'Tah | Naoshi Mizuta | F Minor | 4 | 4A | 80 BPM | ||
| The Drifting Village | Falcom Sound Team jdk | A Major | 2 | 11B | 148 BPM | ||
| City of Commerce | SQUARE ENIX MUSIC | E Minor | 6 | 9A | 160 BPM | ||
| 告解2 -kokkAI 2- | Keisuke Ito | A Minor | 1 | 8A | 128 BPM | ||
| Garfont [Night] (From "Xenoblade Chronicles 2") | TeraCMusic | A Major | 2 | 11B | 148 BPM | ||
| Midnight Harmony | New World, John Oeth | G Minor | 1 | 6A | 107 BPM |