"Excelsus: VII. Quid Sum Miser" by Cheryl Frances-Hoad, Thomas Carroll had its release date on May 6, 2022. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 7 in Excelsus by Cheryl Frances-Hoad, Thomas Carroll. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Excelsus: VII. Quid Sum Miser is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Excelsus: VII. Quid Sum Miser by Cheryl Frances-Hoad, Thomas Carroll is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Hymn of the Cherubim from Liturgy of St. John Chrysostom | Kammerkoret Aurum | D Minor | 0 | 7A | 78 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
| Night Song | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Minor | 1 | 8A | 115 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Agnus Dei | Wojciech Kilar, Choeur de chambre Versija | A Major | 1 | 11B | 71 BPM | ||
| Something More Than Mortal | Cheryl Frances-Hoad, Héloïse Werner | D Minor | 2 | 7A | 127 BPM | ||
| Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | A Major | 1 | 11B | 70 BPM | ||
| Missae: Agnus Dei | Antonio Lotti, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 75 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Katharsis: V. Gavotte | Cheryl Frances-Hoad, David Cohen, Paul Hoskins, Rambert Orchestra | F Major | 1 | 7B | 145 BPM | ||
| Commuterland | Cheryl Frances-Hoad, Thalia Myers | E♭ Minor | 1 | 2A | 141 BPM | ||
| Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Charles Villiers Stanford: The blue bird | Lumen Valo | F♯ Major | 0 | 2B | 171 BPM | ||
| The Wild Duck, JW IV/18 | Leoš Janáček, Collegium Vocale Gent, Reinbert de Leeuw | E Minor | 1 | 9A | 128 BPM | ||
| The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 78 BPM |