Madan Gopal's ' "Barsan Lagyo Rang" was released on its scheduled release date, 2002. This song is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The song is number 3 out of 8 in Daras by Madan Gopal. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Barsan Lagyo Rang is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Barsan Lagyo Rang by Madan Gopal is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akshardhamki Jay Ho | Baps Swaminarayan Sanstha | A♭ Major | 6 | 4B | 92 BPM | ||
| Sai Baba | Kapil Vyas, Uma Sharma | F Minor | 8 | 4A | 113 BPM | ||
| Tui Ki Chili | Ferdous Ara | F Minor | 9 | 4A | 154 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Jhalar Baje | BAPS Swaminarayan Sansth | B Major | 6 | 1B | 135 BPM | ||
| Thandi Thandi Chandi | Ranu Mukherjee | D Major | 3 | 10B | 123 BPM | ||
| Aaj Din Ke Main Jaaun Balihari | Madan Gopal | F♯ Major | 5 | 2B | 87 BPM | ||
| Mora Re Mora | Yuvraj Pradhan | F♯ Major | 6 | 2B | 80 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Yoger Anko Sekhali | Amrik Singh Arora | E Minor | 4 | 9A | 136 BPM | ||
| Utha Jage Vha Re Aata | Baba Maharaj Satarkar | F♯ Minor | 7 | 11A | 80 BPM | ||
| Khelat Basant Hori | Hita Ambrish | B Minor | 8 | 10A | 80 BPM | ||
| Dindi Magun Dindi Aali | Swapnil Bandodkar | B♭ Minor | 6 | 3A | 103 BPM | ||
| Tara Tara Bole | Parikshit Bala | F Minor | 4 | 4A | 86 BPM | ||
| Aanand Ya Jivanacha | Namrata Shrirame | B Minor | 3 | 10A | 130 BPM | ||
| Pahla Data Shishya Bhaya | Madan Gopal | D Major | 4 | 10B | 112 BPM | ||
| Bina Vighna Ke Kaaj Sanwaro | Shailendra Kumar | G Minor | 5 | 6A | 92 BPM | ||
| Om Jai Paras Devaa - Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Nanya Spriha Raghupathe | Ramakrishna Math, Monks of the Ramakrishna Order | C Major | 2 | 8B | 84 BPM | ||
| Sri Krishna Chaitanya Prabhu | Swarup Damodar Prabhu | C Major | 2 | 8B | 96 BPM | ||
| Dev Ghara Aala | Godavaribai Munde | D♭ Major | 7 | 3B | 169 BPM | ||
| Jagat Bidit Baidyanath | Vishwanath Mishra | B♭ Major | 3 | 6B | 98 BPM | ||
| Mera Jeevan Kora Kagaz | Amit Kumar | D♭ Major | 5 | 3B | 100 BPM | ||
| Shiv Tandav Stotram | रावण रचित शिव तांडव स्त्रोत | Hari cassettes | F♯ Major | 6 | 2B | 80 BPM |