Kishore Kumar, R. D. Burman's 'Main Shair Badnaam' had a release date set for November 19, 1973. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Namak Haraam". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Main Shair Badnaam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Main Shair Badnaam by Kishore Kumar, R. D. Burman having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeh Hawa Yeh Raat Yeh Chandni | Talat Mahmood | D♭ Major | 4 | 3B | 76 BPM | ||
| Kab Ke Bichhde Hue | Asha Bhosle, Kishore Kumar, Kalyanji-Anandji | B♭ Minor | 6 | 3A | 85 BPM | ||
| Na Moonh Chhupa Ke Jiyo | Mahendra Kapoor | F Major | 5 | 7B | 135 BPM | ||
| Teri Yaad Aa Rahi Hai | Amit Kumar, R. D. Burman | A♭ Major | 5 | 4B | 127 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Neele Gagan Ke Tale | Mahendra Kapoor | F♯ Major | 4 | 2B | 109 BPM | ||
| Abhi To Hath Mein Jaam Hai | Manna Dey, R. D. Burman | F Major | 4 | 7B | 71 BPM | ||
| Ek Sanam Chahiye Aashiqui Ke Liye (Female Version) | Anuradha Paudwal, Super Cassettes Industries Private Limited, Sameer Anjaan | C Major | 7 | 8B | 151 BPM | ||
| Ye Hawa Ye Raat Ye Chandni, From ''Sangdil'' | Talat Mahmood | F Minor | 3 | 4A | 89 BPM | ||
| Ka Karoon Sajni Guitar | Sunil Ganguly | G Minor | 4 | 6A | 114 BPM | ||
| Badal Jaye Agar Mali | Mahendra Kapoor | A Major | 2 | 11B | 75 BPM | ||
| Dekho Mera Dil Machal Gaya | Sharada, Shailendra | A Major | 7 | 11B | 130 BPM | ||
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Kehna Hai Kehna Hai | Kishore Kumar, R. D. Burman | E Major | 3 | 12B | 143 BPM | ||
| Kitne Phool | Bappi Lahiri, Kishore Kumar | F♯ Minor | 10 | 11A | 98 BPM | ||
| O Haseena Zulfonwale Jane Jahan | Asha Bhosle, Mohammed Rafi, R. D. Burman | C Major | 6 | 8B | 93 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Chura Le Na Tumko Ye Mausam Suhana | Suman Kalyanpur, Mukesh | D Major | 5 | 10B | 80 BPM | ||
| Jiska Koi Nahin - Manna Dey | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 96 BPM | ||
| Mera Pyar Bhi Tu Hai | Mukesh, Suman Kalyanpur | E♭ Major | 1 | 5B | 77 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Tum Apna Ranjhogham Apni | Jagjit Kaur | F Minor | 3 | 4A | 79 BPM | ||
| Shayad Main Zindagi Ki Sahar | Jagjit Singh | F Major | 4 | 7B | 93 BPM | ||
| Humko Kiske Gham Ne Maara | Ghulam Ali | F Minor | 5 | 4A | 97 BPM |