"Abomination Alley" by Craig Armstrong had its release date on January 1, 2008. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 45 in the song's album "The Incredible Hulk". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Abomination Alley is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Abomination Alley by Craig Armstrong having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unrequited Love | Ari Posner, Amin Bhatia | G Minor | 0 | 6A | 84 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Looking At You | Mark Mancina | D Major | 1 | 10B | 83 BPM | ||
| Kate's Theme | Lennie Niehaus, Clint Eastwood | C Major | 0 | 8B | 101 BPM | ||
| D'Artagnan et Constance | Guillaume Roussel | C Major | 2 | 8B | 80 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| The World Turned Upside Down - Pt. 2 | Laurent Eyquem | B♭ Major | 0 | 6B | 71 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| The Search | Carter Burwell | B Minor | 4 | 10A | 80 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Anna's Theme | Randy Edelman | E♭ Major | 3 | 5B | 104 BPM | ||
| To the Ball | Adrian Johnston | E♭ Major | 1 | 5B | 83 BPM | ||
| The End | Stuart Earl | A Minor | 1 | 8A | 73 BPM | ||
| Lou Shaves Will | Craig Armstrong | C Major | 0 | 8B | 65 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
| Life Begins Again | FELIX MEAGHER, Baz Luhrmann, Angela Little | D Major | 3 | 10B | 85 BPM | ||
| Making Love | Peter Gregson | G Major | 0 | 9B | 167 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| Shepherds | Guy Farley | A Major | 1 | 11B | 104 BPM | ||
| The End Of The World | Clinton Shorter | E Minor | 1 | 9A | 79 BPM | ||
| Building A Family | Mark Isham | A Major | 1 | 11B | 124 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Never Again | Guy Farley | F Major | 1 | 7B | 146 BPM |