Brian Davis's ' "I Thank the Lord" was released on its scheduled release date, May 21, 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. I Thank the Lord's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "The Americans Are Coming". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, I Thank the Lord is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Thank the Lord by Brian Davis having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A und O | Athesinus Consort Berlin, Klaus-Martin Bresgott | C Minor | 1 | 5A | 78 BPM | ||
| Merlin, Act I Scene 6: Leb'wohl, Merlin! (Viviane, Modred, Lancelot, Gawain, Glendower, Chorus, Arthur) | Karl Goldmark, Robert Kunzli, Anna Gabler, Brian Davis, Frank van Hove, Gabriela Popescu, Daniel Behle, Sebastian Holecek, In-Sung Sim, Michael Mantaj, Werner Rollenmüller, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | B♭ Minor | 0 | 3A | 68 BPM | ||
| Sweet day | Ars Poliphonica | E♭ Minor | 0 | 2A | 105 BPM | ||
| Caelestis Harmonia | Cathedral Choir | D Minor | 0 | 7A | 136 BPM | ||
| Херувимска песма | Хор при Храму Св. Архангела Михаила | F♯ Major | 2 | 2B | 108 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | ||
| Pyhäaamunrauha | Pekka Juhani Hannikainen, Lopen lapsi- ja nuorisokuoro sekä Timotei, Pekka Perko | D Minor | 0 | 7A | 76 BPM | ||
| Morgensang | Niels Wilhelm Gade, Danish National Symphony Choir, Jesper Grove Jørgensen | G Major | 0 | 9B | 132 BPM | ||
| The Americans Are Coming | Brian Davis | E Major | 6 | 12B | 161 BPM | ||
| Sanctus. Te Laudant | Gregorian Chant | A Minor | 0 | 8A | 70 BPM | ||
| Un pastor chies’ ad una ninfa amore | Giovanni Ferretti, The English Cornett and Sackbut Ensemble | D Major | 8 | 10B | 170 BPM | ||
| Lullaby "My Sweet Little Baby", T. 242 | William Byrd, The Gesualdo Six, Owain Park | A♭ Minor | 0 | 1A | 95 BPM | ||
| I Need Thee Every Hour | Laudate Mennonite Ensemble | F Minor | 0 | 4A | 79 BPM | ||
| Mass for 5 Voices, T. 3: Va. Agnus Dei I & II | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| Steal Away | Laudate Mennonite Ensemble | D Major | 1 | 10B | 72 BPM | ||
| Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | E Major | 0 | 12B | 68 BPM | ||
| 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Kantos Chamber Choir, Ellie Slorach | F Minor | 0 | 4A | 140 BPM | ||
| The Crystal Sea of Mercy SHZ 196 | Laestadian Lutheran Church, Liisa Keranen | B♭ Minor | 1 | 3A | 169 BPM | ||
| Karácsonyi Bölcsodal | Lajos Bárdos, Budapest Monteverdi Choir, Eva Kollar | B Minor | 0 | 10A | 129 BPM | ||
| Dark Hours Passing | Night Monastery | E Major | 0 | 12B | 68 BPM |