"Einaudi: Run" by Dalal had its release date on February 22, 2019. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 28 in the song's album "The Einaudi Sound". In this album, this song's track order is #17. Based on our statistics, Einaudi: Run's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Einaudi: Run by Dalal having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scars We Left - Piano Solo | Adrien de la Salle, Francois Mathian | C Minor | 0 | 5A | 75 BPM | ||
| Solstice | Jeff Franzel, Dalal Bruchmann, Dalal | B♭ Minor | 1 | 3A | 95 BPM | ||
| Étude No. 8: Through the Window | Marie Awadis | A Minor | 0 | 8A | 134 BPM | ||
| ASCENSIO | Julie Cooper, Rebeca Omordia | G Minor | 1 | 6A | 131 BPM | ||
| Wail | Challem | F Minor | 1 | 4A | 62 BPM | ||
| Erlösung | frank niessen | E Minor | 1 | 9A | 127 BPM | ||
| White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
| Richter: Vladimir's Blues | Paul Neda | B♭ Major | 1 | 6B | 140 BPM | ||
| Strawberry Waltz | Dalal | B Minor | 2 | 10A | 149 BPM | ||
| Fidèle | Matteo Myderwyk | D Major | 0 | 10B | 174 BPM | ||
| Childhood Friends | Paulo F. Moraes | F Minor | 1 | 4A | 96 BPM | ||
| Aeolus | Annelie | F Major | 1 | 7B | 137 BPM | ||
| Schubert / Transcr. for Harp: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Anneleen Lenaerts | C Minor | 0 | 5A | 124 BPM | ||
| La Mattina | Patrick Hamilton | C Major | 1 | 8B | 104 BPM | ||
| Song for the Village | Federico Albanese | G Minor | 0 | 6A | 129 BPM | ||
| Charlotte (Renaissance Version) | Matteo Myderwyk | B♭ Minor | 3 | 3A | 143 BPM | ||
| Étude No. 2: Breathless | Marie Awadis | G Major | 2 | 9B | 168 BPM | ||
| Room at Midnight | Theo Vos | F♯ Major | 0 | 2B | 74 BPM | ||
| Ave Maria | Franz Schubert, Dalal, Jeff Franzel | B♭ Major | 1 | 6B | 76 BPM | ||
| Cortège (Marta Cascales Alimbau Rework) | Marta Cascales Alimbau | D♭ Minor | 1 | 12A | 143 BPM | ||
| Quieter Than Before | Jef Martens | F Minor | 1 | 4A | 96 BPM | ||
| Suite Bergamasque, L. 75: III. Clair De Lune | Claude Debussy, Juan Pablo Gavilanes Almeida | B♭ Minor | 1 | 3A | 69 BPM | ||
| Calò - Piano Version | Nikolas Belalis, Sounds of Vega | F Minor | 1 | 4A | 96 BPM | ||
| Prima Luce | Niklas Fransson | F Minor | 1 | 4A | 96 BPM | ||
| Be My Home | Eunike Tanzil | C Minor | 1 | 5A | 146 BPM |