"The Morning Birds" by Lone had its release date on May 27, 2016. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lone's "Levitate" album is number 3 out of 9. On top of that, Belgium appears to be the country where this track was created. The popularity of The Morning Birds is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Morning Birds by Lone to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dragon Blue Eyes | Lone | B Minor | 6 | 10A | 94 BPM | ||
| Gaze | Actress | A♭ Major | 10 | 4B | 122 BPM | ||
| Port Rhombus | Squarepusher | F♯ Minor | 7 | 11A | 181 BPM | ||
| Springtime Epigram | Clark | G Major | 6 | 9B | 100 BPM | ||
| Over Island | Casino Versus Japan | A♭ Minor | 9 | 1A | 173 BPM | ||
| Ivy and Lead | Two Lone Swordsmen | A Minor | 6 | 8A | 142 BPM | ||
| Midnight on Rainbow Road | Leon Vynehall | F Minor | 8 | 4A | 109 BPM | ||
| Holiday | Teebs, Jonti | A Major | 7 | 11B | 119 BPM | ||
| Untitled 2 | THE DARKEST FUTURE | D Minor | 1 | 7A | 79 BPM | ||
| Max | The Future Sound Of London | F♯ Major | 2 | 2B | 126 BPM | ||
| Why Like This? | Teebs | F♯ Major | 7 | 2B | 90 BPM | ||
| Alone in Hawaii | Panoram | C Major | 8 | 8B | 130 BPM | ||
| Trouble - Parts I, II, & III (Chapter V) | Leon Vynehall | B Minor | 8 | 10A | 123 BPM | ||
| The Secret Garden | µ-Ziq, Mrs Jynx | B Minor | 3 | 10A | 170 BPM | ||
| Astorias Ascent - Mixed | Kona Triangle | F Minor | 3 | 4A | 90 BPM | ||
| Wildlife Analysis | Boards of Canada | E Minor | 0 | 9A | 80 BPM | ||
| Fishfred | Kettel | C Minor | 9 | 5A | 124 BPM | ||
| A False Seeming | Steve Hauschildt | D♭ Minor | 2 | 12A | 87 BPM | ||
| 悲哀 | 2814 | E♭ Minor | 5 | 2A | 106 BPM | ||
| Response to Subdivisions ☾ | Fire-Toolz | D Major | 3 | 10B | 74 BPM | ||
| Gong | Four Tet | G Major | 8 | 9B | 160 BPM | ||
| Like Regular Chickens | Amon Tobin | A♭ Major | 7 | 4B | 89 BPM | ||
| CLOCK | Plaid | F Minor | 5 | 4A | 136 BPM | ||
| On The Embankment | Huerco S. | D♭ Major | 4 | 3B | 117 BPM | ||
| Tryptiline Fabricate | Casino Versus Japan | A♭ Major | 5 | 4B | 158 BPM |