Bist du bei mir, BWV 508 [attrib. To G.H. Stolzel] [arr. A. Reed]
Johann Sebastian Bach, Concordia University Chicago Wind Symphony, Richard R. Fischer
If Thou Be Near
3:21 September 6, 2011
BPM
131
Key
F Major
Camelot
7B

Embed

Share Link

Bist du bei mir, BWV 508 [attrib. To G.H. Stolzel] [arr. A. Reed] by Johann Sebastian Bach, Concordia University Chicago Wind Symphony, Richard R. Fischer Song Details

"Bist du bei mir, BWV 508 [attrib. To G.H. Stolzel] [arr. A. Reed]" by Johann Sebastian Bach, Concordia University Chicago Wind Symphony, Richard R. Fischer had its release date on September 6, 2011. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard R. Fischer's "If Thou Be Near" album is number 4 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Bist du bei mir, BWV 508 [attrib. To G.H. Stolzel] [arr. A. Reed]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Bist du bei mir, BWV 508 [attrib. To G.H. Stolzel] [arr. A. Reed] by Johann Sebastian Bach, Concordia University Chicago Wind Symphony, Richard R. Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-31.212 dB
Acousticness
99%
Danceability
16%
Energy
1%
Instrumentalness
92%
Liveness
9%
Loudness
48%
Speechiness
5%
Valence
4%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103Felix Mendelssohn, Péter NagyE♭ Major05B65 BPM
The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 1 in C Major, BWV 846 by Classical CoterieThe Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 1 in C Major, BWV 846Classical CoterieC Major08B217 BPM
Sonata No. 13, Hob. XVI:6: III. Adagio by Joseph Haydn, Jean-Efflam BavouzetSonata No. 13, Hob. XVI:6: III. AdagioJoseph Haydn, Jean-Efflam BavouzetB♭ Major06B75 BPM
French Suite No. 3 in B minor, BWV 814: 6. Gigue by Johann Sebastian Bach, Vladimir AshkenazyFrench Suite No. 3 in B minor, BWV 814: 6. GigueJohann Sebastian Bach, Vladimir AshkenazyB Minor210A111 BPM
Sonata in G Major, K 13 (L 486) by Domenico Scarlatti, Glenn GouldSonata in G Major, K 13 (L 486)Domenico Scarlatti, Glenn GouldG Major39B101 BPM
Oboe Concerto in D Minor: II. Adagio by Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber OrchestraOboe Concerto in D Minor: II. AdagioAlessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber OrchestraD Minor17A131 BPM
Violin Concerto in E Major, Bwv 1042: II. Adagio by Arthur Grumiaux, Johann Sebastian Bach, Zurich Chamber Orchestra, Edmond De StoutzViolin Concerto in E Major, Bwv 1042: II. AdagioArthur Grumiaux, Johann Sebastian Bach, Zurich Chamber Orchestra, Edmond De StoutzD♭ Minor112A79 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida ThompsonConcerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos)Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida ThompsonC Major38B103 BPM
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 by Janos Sebestyen, Johann Sebastian Bach2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779Janos Sebestyen, Johann Sebastian BachF Major37B123 BPM
Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fugue by Janos Sebestyen, Johann Sebastian BachChromatic Fantasia And Fugue In D Minor, BWV 903 : FugueJanos Sebestyen, Johann Sebastian BachD Minor37A88 BPM
Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau by London Conchord Ensemble, Florian UhligBach Orchestral Suite No.2 in B Minor, BWV 1076: II. RondeauLondon Conchord Ensemble, Florian UhligB Minor110A143 BPM
Overture (Suite) No. 1 In C Major, BWV 1066: I. Ouverture by Cologne Chamber Orchestra, Johann Sebastian BachOverture (Suite) No. 1 In C Major, BWV 1066: I. OuvertureCologne Chamber Orchestra, Johann Sebastian BachB Minor410A119 BPM
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio by Tomaso Albinoni, David Reichenberg, The English Concert, Trevor PinnockOboe Concerto in D Minor, Op. 9 No. 2: II. AdagioTomaso Albinoni, David Reichenberg, The English Concert, Trevor PinnockA Major111B68 BPM
Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto by Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm SargentConcerto in D Minor for Two Violins, BWV 1043: Largo ma non tantoJohann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm SargentA Minor28A94 BPM
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian BachConcerto For 2 Keyboards In C Major, BWV 1061: III. VivaceCologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian BachA Minor38A98 BPM
Passacaglia by Silvius Leopold Weiss, Miloš KaradaglićPassacagliaSilvius Leopold Weiss, Miloš KaradaglićD Major110B86 BPM
Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto by Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela HewittViola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tantoCarl Philipp Emanuel Bach, Daniel Müller-Schott, Angela HewittD Major010B100 BPM
Trio Sonata in B Minor, H. 567: III. Presto by Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter KoflerTrio Sonata in B Minor, H. 567: III. PrestoCarl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter KoflerA Major211B110 BPM
Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song]Felix Mendelssohn, Péter NagyG Major09B101 BPM
Keyboard Sonata in B Minor, Kk. 87 by Domenico Scarlatti, Ivo PogorelichKeyboard Sonata in B Minor, Kk. 87Domenico Scarlatti, Ivo PogorelichB Minor010A147 BPM
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio by Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea MionConcerto in D Minor for Oboe, Strings and Continuo: II. AdagioAlessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea MionD♭ Minor112A68 BPM
Kleine Präludien: No.3 in D Minor, BWV 926 by Inge RosarKleine Präludien: No.3 in D Minor, BWV 926Inge RosarD Minor17A83 BPM
Concerto for 2 Pianos in E-Flat Major, K. 365: III. Rondo. Allegro moderato by Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerConcerto for 2 Pianos in E-Flat Major, K. 365: III. Rondo. Allegro moderatoWolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville MarrinerE♭ Major25B87 BPM
Songs My Mother Taught Me (from Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)Antonín Dvořák, Yo-Yo Ma, Kathryn StottB Minor010A92 BPM
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio by Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra MullejansConcerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. AdagioFranz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra MullejansC Major18B131 BPM
ISRC
USVZX1010304
Label
L-M Records/RCA Records