Gurulinga's ' "Aliyotamma" was released on its scheduled release date, April 12, 2016. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Amogha Siddeshwara Dollu by Gurulinga. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aliyotamma is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aliyotamma by Gurulinga is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capoeira Cantou | Mestre Suassuna | D Major | 6 | 10B | 111 BPM | ||
| Kanbaa | Habeys Boduberu, Hassan Sharim | D Major | 6 | 10B | 157 BPM | ||
| Saudade do Nordeste | Mestre Barrao | B♭ Minor | 4 | 3A | 118 BPM | ||
| Chorou | Mestre Toni Vargas | D♭ Major | 5 | 3B | 123 BPM | ||
| Moleque Saci | Mestre Barrao | D♭ Minor | 6 | 12A | 140 BPM | ||
| Guruve Beku Nimma Paada | Sri Madagonda Maharajaru | A Major | 8 | 11B | 117 BPM | ||
| Mahatmarolu Mahatma - Studio | Bijjaragi Somalingappa | E Major | 5 | 12B | 123 BPM | ||
| Aanumale | Kamsale Dhanush, Kamsale lokesh | D♭ Major | 8 | 3B | 150 BPM | ||
| Chibata Na Mão Capoeira No Pé | Mestre Suassuna | A♭ Major | 7 | 4B | 99 BPM | ||
| Maior É Deus | Mestre Pastinha | D♭ Major | 6 | 3B | 97 BPM | ||
| Toque de Angola | Mestre Roberval | F Major | 5 | 7B | 86 BPM | ||
| O Dono da Verdade | Mestre Toni Vargas | A♭ Minor | 4 | 1A | 131 BPM | ||
| Hora Grande | Mestre Suassuna | A♭ Major | 7 | 4B | 111 BPM | ||
| Hogonu Yellaaru Nadeerappa - Studio | Bijjaragi Somalingappa | F♯ Minor | 3 | 11A | 78 BPM | ||
| Maria | Mestre Capu, Grupo Gingado Capoeira | C Minor | 8 | 5A | 111 BPM | ||
| Wanbli | Joel Wood | C Major | 1 | 8B | 62 BPM | ||
| Hoogi Baravva | Gurulinga | B Major | 7 | 1B | 112 BPM | ||
| Kaliya Katti - Studio | Nigappa R Bilagi | A Major | 8 | 11B | 117 BPM | ||
| Quando For Falar de Mim | Rafael de Lemba, Mestre Pernalonga | B Major | 4 | 1B | 81 BPM | ||
| Nunca Vi Tanta Areia no Mar | Boca Rica, Mestre Bigodinho | D♭ Major | 8 | 3B | 98 BPM | ||
| Idhu Entha Shakuna | Sri Madagonda Maharajaru | A Major | 8 | 11B | 117 BPM | ||
| Vem Maria - Chico Valente | Mestre Barrao | F♯ Major | 6 | 2B | 127 BPM | ||
| Toque de Santa Maria | Mestre Roberval | D♭ Minor | 4 | 12A | 80 BPM | ||
| Gurunath Ondhu - Hendira Makkal Kaatha | Mudunda Maharaj, Shivappa, Jattappa Indi | B Major | 7 | 1B | 112 BPM | ||
| Vou Me Embora Ou Desembola | Mestre Capu, Grupo Gingado Capoeira | C Minor | 9 | 5A | 175 BPM |