Jonathan Atkinson's ' "Three Sixty" was released on its scheduled release date, June 24, 2016. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Three Sixty's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jonathan Atkinson,Louise Freeman's "Mellow Breakout: Smooth and Natural Tracks" album is number 24 out of 25. Based on our statistics, Three Sixty's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Three Sixty by Jonathan Atkinson to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Edward | Marcelo Zarvos | G Major | 2 | 9B | 120 BPM | ||
| Aberfan | Martin Phipps | A♭ Major | 0 | 4B | 80 BPM | ||
| The Straight Story: Rose's Theme - From "The Straight Story" | Angelo Badalamenti | F Major | 1 | 7B | 119 BPM | ||
| Jazz Matazz | Jonathan Atkinson | D♭ Major | 6 | 3B | 97 BPM | ||
| Why Didn't She Just Go To the Police? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 113 BPM | ||
| Piano Concerto No. 1 in E Minor, Op.11: II. Romanze - Larghetto | George Fenton | E Major | 1 | 12B | 60 BPM | ||
| The Path Towards Tomorrow | Damian Montagu | D Major | 2 | 10B | 142 BPM | ||
| Lonely Walker | Nana Himmelstrup | E Minor | 5 | 9A | 90 BPM | ||
| Stet's House | Brian Byrne | F Major | 1 | 7B | 136 BPM | ||
| Hollow Bones | Di Natale | E Minor | 1 | 9A | 114 BPM | ||
| Free Falling | Jonathan Atkinson | D Major | 7 | 10B | 95 BPM | ||
| Backstreet Hustler | Jonathan Atkinson | B♭ Minor | 8 | 3A | 106 BPM | ||
| Lillis Melodie | Niki Reiser, Alev Lenz | A Major | 1 | 11B | 133 BPM | ||
| Edie | Debbie Wiseman | F Major | 2 | 7B | 78 BPM | ||
| Best Things In Life | Jonathan Atkinson | F♯ Major | 9 | 2B | 100 BPM | ||
| Beginning | Michael Price | D♭ Minor | 5 | 12A | 112 BPM | ||
| Victoria Titles | Martin Phipps, Mediæval Bæbes | F♯ Minor | 2 | 11A | 77 BPM | ||
| Once upon a time in America (Deborah's Theme) | Ennio Morricone | E Major | 0 | 12B | 78 BPM | ||
| Hands | Santi Pulvirenti | E Minor | 1 | 9A | 114 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| Marelle | Craig Armstrong, Guy Garvey, Cecilia Weston | D♭ Major | 1 | 3B | 62 BPM | ||
| Tower Of Song | Tom Jones | B Major | 2 | 1B | 117 BPM | ||
| No Fear of Heights | Katie Melua | E Minor | 1 | 9A | 114 BPM | ||
| New York Cycle | Remo Anzovino | D Major | 1 | 10B | 136 BPM | ||
| Fields Of Gold (Songbird) | Eva Cassidy | A Major | 1 | 11B | 80 BPM |