Laura Marling's 'Interlude (Time Passages)' had a release date set for October 25, 2024. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Patterns in Repeat". In this album, this song's track order is #6. In terms of popularity, Interlude (Time Passages) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Interlude (Time Passages) by Laura Marling having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heavy Is Good For This | DARKSIDE | C Major | 5 | 8B | 131 BPM | ||
| What Is Not Strange? | Tashi Wada, Julia Holter | A Minor | 1 | 8A | 113 BPM | ||
| The End Of The Affair | Laura Marling | C Major | 1 | 8B | 86 BPM | ||
| Materia | Julia Holter | G Major | 1 | 9B | 91 BPM | ||
| Coat Hangers | Tunng | B♭ Minor | 5 | 3A | 165 BPM | ||
| part viii - nothing is lost | Jon Hopkins | E Major | 2 | 12B | 120 BPM | ||
| The Lonely House | Marika Hackman | A Minor | 0 | 8A | 142 BPM | ||
| Aubade 2020 | Ryuichi Sakamoto | C Major | 2 | 8B | 137 BPM | ||
| Enter | MIZU | F Major | 6 | 7B | 107 BPM | ||
| Nouel | Laura Marling | B♭ Major | 2 | 6B | 100 BPM | ||
| Mexico Edit | Emile Mosseri, Sam Gendel | D♭ Major | 2 | 3B | 67 BPM | ||
| Duke | Hildegard, Helena Deland, Ouri | B Major | 6 | 1B | 121 BPM | ||
| Cold Sea | Oisin Leech, Steve Gunn | G Major | 2 | 9B | 117 BPM | ||
| River That Flows Two Ways | Jefre Cantu-Ledesma | A♭ Major | 0 | 4B | 89 BPM | ||
| Wild Once | Laura Marling | F♯ Minor | 3 | 11A | 95 BPM | ||
| When I'm Called | Jake Xerxes Fussell | B Major | 4 | 1B | 87 BPM | ||
| Abandon | Laurel Halo, Bendik Giske, Lucy Railton, James Underwood | D♭ Major | 6 | 3B | 81 BPM | ||
| First Watch | King Creosote, Jon Hopkins | G Major | 1 | 9B | 108 BPM | ||
| Wormhold Music | Cassandra Jenkins | F Major | 3 | 7B | 168 BPM | ||
| Clessidra | Laurie Torres | D Major | 1 | 10B | 179 BPM | ||
| Nowhere It Was | Jessica Pratt | G Minor | 3 | 6A | 80 BPM | ||
| Get Some Rest | Ezra Feinberg, Mary Lattimore | B♭ Minor | 6 | 3A | 138 BPM | ||
| Moon Pith | Helena Deland | D♭ Major | 1 | 3B | 172 BPM | ||
| Summer's End | Julie Byrne | A Major | 1 | 11B | 137 BPM | ||
| Duvet | Laurie Torres | D Major | 1 | 10B | 179 BPM |