Micina's '時の記憶' had a release date set for December 19, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 6 in Dearest by Micina. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, 時の記憶's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 時の記憶 by Micina is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| シンフォニエッタ第3番「響きの森」 | 福島弘和, 東海大学付属札幌高等学校吹奏楽部 | C Minor | 3 | 5A | 139 BPM | ||
| Relaxing Piano Music, Pt. 74 - Romantic, Episode 1 | Tomasz Trzcinski | B♭ Major | 3 | 6B | 69 BPM | ||
| II.夢のカケラ:組曲「小さな海と宝箱」より | Micina | D Major | 2 | 10B | 115 BPM | ||
| 沢地萃 - 吹奏楽版 | Japan Maritime Self-Defense Force Band,Tokyo | C Major | 2 | 8B | 143 BPM | ||
| Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
| ラッキードラゴン ~第五福竜丸の記憶~ | 福島 弘和, 伊奈学園OB吹奏楽団 | F Minor | 2 | 4A | 66 BPM | ||
| Danzón | Johanny Navarro, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| 3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
| フェスティバル・ヴァリエーション | Claude T. Smith, 北斗市立上磯中学校吹奏楽部 | G Minor | 3 | 6A | 80 BPM | ||
| Suite in the Old Style: III. Minuet - Arr. for Flugelhorn and Piano by Sergei Nakariakov and Maria Meerovitch | Alfred Schnittke, Sergei Nakariakov, Maria Meerovitch | A Minor | 0 | 8A | 101 BPM | ||
| Concerto for Wind Ensemble: I. Flow | Kevin Day, ASU Wind Ensemble, Jason Caslor | A Minor | 4 | 8A | 106 BPM | ||
| Rose Waltz | 五条院凌 | C Minor | 2 | 5A | 176 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第8楽章:魂はここに、自らの喜びのために | 雲井雅人サックス四重奏団 | C Major | 2 | 8B | 89 BPM | ||
| ミュージカル「レ・ミゼラブル」より | Claude-Michel Schönberg, 伊奈学園OB吹奏楽団 | F Major | 3 | 7B | 85 BPM | ||
| REVIVE | Micina | D Minor | 1 | 7A | 132 BPM | ||
| 5 Bagatelles for clarinet and piano, Op.23: 3. Carol - Andantino semplice | Gerald Finzi, Emma Johnson, Malcolm Martineau | B♭ Major | 0 | 6B | 173 BPM | ||
| Scootin' on Hardrock | David Holsinger, Japan Air Self-Defense Force Western Air Band, Hiroyuki Kayo | G Minor | 5 | 6A | 141 BPM | ||
| 眩い星座になるために… | 八木澤教司, 名古屋ウィンドシンフォニー | B♭ Major | 3 | 6B | 140 BPM | ||
| undae | Christian Amstätter, Federspiel | E Minor | 2 | 9A | 79 BPM | ||
| 雲の気持ち | 吉森 信 | A♭ Major | 3 | 4B | 110 BPM | ||
| Brillante | Peter Graham, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | B♭ Major | 1 | 6B | 111 BPM | ||
| ザ・タイムズ II.過去 - 吹奏楽版 | Japan Maritime Self-Defense Force Band,Tokyo | G Minor | 0 | 6A | 182 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | E Minor | 2 | 9A | 79 BPM |