Archetypes Collide's 'Above It All' had a release date set for June 11, 2021. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Above It All and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Above It All's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Above It All by Archetypes Collide is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get Enough | Volumes | B♭ Minor | 9 | 3A | 165 BPM | ||
| Bad | Paloma | E Minor | 9 | 9A | 110 BPM | ||
| Shaking Cages | Silent Theory | F♯ Major | 10 | 2B | 88 BPM | ||
| Get It Right | Saul | G Minor | 9 | 6A | 112 BPM | ||
| Terrified | Versus Me | B Minor | 10 | 10A | 147 BPM | ||
| War Inside | Kingdom Collapse | D♭ Major | 8 | 3B | 91 BPM | ||
| Nothing Left | Rain City Drive | F♯ Major | 9 | 2B | 108 BPM | ||
| Subtle Mistakes | In Motive | B Minor | 8 | 10A | 120 BPM | ||
| Trapped Under You | American Dream Machine | F Minor | 8 | 4A | 180 BPM | ||
| Sandcastles | Sever | E Minor | 9 | 9A | 170 BPM | ||
| What Are the Odds | Silent Theory | C Minor | 10 | 5A | 145 BPM | ||
| Atrophy | Monument Of A Memory | F♯ Major | 10 | 2B | 142 BPM | ||
| Like a Nightmare | Deadset Society | A Major | 9 | 11B | 80 BPM | ||
| Bring Me Down | Kingdom Collapse | E Minor | 9 | 9A | 109 BPM | ||
| Redline | Affinity Falls | F♯ Major | 10 | 2B | 90 BPM | ||
| Serenade | Rising Insane | D♭ Major | 9 | 3B | 178 BPM | ||
| Step Aside | Devour the Day | D♭ Major | 9 | 3B | 96 BPM | ||
| Bleed for This | Archers | F Minor | 10 | 4A | 124 BPM | ||
| Hearts in Doubt | Set for Tomorrow | F Minor | 9 | 4A | 110 BPM | ||
| White Noise | Archetypes Collide | D♭ Minor | 9 | 12A | 170 BPM | ||
| Friction | Scarlett O'Hara | A♭ Major | 9 | 4B | 97 BPM | ||
| Yesterday | Dead Romantic | C Minor | 10 | 5A | 155 BPM | ||
| Bulletproof | Outlier | D♭ Minor | 10 | 12A | 155 BPM | ||
| SUFFOCATE | Execution Day | A♭ Major | 9 | 4B | 137 BPM | ||
| Dangerous | After Hour Animals | C Major | 9 | 8B | 145 BPM |