Arthur Sullivan, Owen Brannigan/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra's ' "Iolanthe (or, The Peer and the Peri) (1987 - Remaster), Act II: When all night long a chap remains (Sentry Song) (Private Willis)" was released on its scheduled release date, March 1, 2000. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 71 in the song's album "The Gilbert & Sullivan Collection". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Iolanthe (or, The Peer and the Peri) (1987 - Remaster), Act II: When all night long a chap remains (Sentry Song) (Private Willis) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Iolanthe (or, The Peer and the Peri) (1987 - Remaster), Act II: When all night long a chap remains (Sentry Song) (Private Willis) by Arthur Sullivan, Owen Brannigan/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloria del' Egitto (from Aida) | Singverein der Gesellschaft der Musikfreunde, Herbert von Karajan, Vienna Philharmonic Orchestra | G Major | 3 | 9B | 66 BPM | ||
| Trial by Jury: Recitative and Chorus. Where is the Plaintiff… Comes the Broken Flower | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Donald Adams, Peter Savidge, Rebecca Evans | D Major | 2 | 10B | 70 BPM | ||
| Trial by Jury: When I good friends was called to the Bar | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 102 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Baal, we cry to thee" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E Major | 1 | 12B | 83 BPM | ||
| Songs of Travel: Let Beauty awake | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Minor | 1 | 12A | 71 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle, Lawrence Brownlee, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Trial by Jury: Scena. Oh Never, Never, Never | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Donald Adams, Richard Stuart, Rebecca Evans, Gareth-Rhys Davies | D Major | 2 | 10B | 70 BPM | ||
| Lehár: Die lustige Witwe, Act 2: Vilja-Lied. "Es lebt eine Vilja, ein Waldmägdelein" (Hanna) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | A Major | 2 | 11B | 123 BPM | ||
| A Sea Symphony: III. Scherzo - The Waves (Allegro brillante) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Major | 2 | 9B | 169 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
| H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
| Deus Salutis (Llef) | London Welsh Male Voice Choir, Edward-Rhys Harry, Annabel Thwaite | G Minor | 4 | 6A | 98 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
| The Mikado / Act 1: 14. With aspect stern and gloomy stride | Arthur Sullivan, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 117 BPM | ||
| Trial by Jury: May it please you, m'lud! (Counsel, Plaintiff, Judge, Foreman, Usher, Defendant, Chorus) | Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Matthew Brook, Rebecca Evans, Donald Maxwell, David Thaxton, Neal Davies, James Gilchrist | F Major | 1 | 7B | 107 BPM | ||
| I Was Glad | Hubert Parry, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 172 BPM | ||
| Peter and the Wolf, Op. 67: IX. Peter Prepares to Catch the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 112 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Songs of Travel: Whither Must I Wander? | Ralph Vaughan Williams, David John Pike, Isabelle Trüb | E Major | 3 | 12B | 92 BPM | ||
| Peter Grimes, Op. 33 / Prologue: "Peter Grimes, I Here Advise You!" | Benjamin Britten, Owen Brannigan, David Kelly, Sir Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | F Minor | 2 | 4A | 104 BPM |