Patricia Routledge's ' "I Went to a Marvellous Party (From "Set to Music")" was released on its scheduled release date, 1972. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 26 in Cowardy Custard (Original London Festival Cast Recording) by Original London Festival Cast of Cowardy Custard. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I Went to a Marvellous Party (From "Set to Music") is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of I Went to a Marvellous Party (From "Set to Music") by Patricia Routledge is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Till the Clouds Roll By | Emily E. Finke | D Major | 6 | 10B | 135 BPM | ||
| Song and Dance | Peter Gillmore, Susan Hampshire, Patricia Routledge | E♭ Major | 1 | 5B | 128 BPM | ||
| 5. Young man, despair | Arthur Sullivan, Colin Wright, Kenneth Sandford, Michael Rayner, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 99 BPM | ||
| A Gentleman's Gentleman | Patricia Routledge, Vincent Price, Teddy Green, Mitchell Jason, Marc Jordan, Peter Woodthorpe | F Major | 4 | 7B | 125 BPM | ||
| The Gentleman Is a Dope | Lisa Kirk | A Minor | 1 | 8A | 171 BPM | ||
| The Oldest Established Floating Crap Game in New York | Frank Sinatra (performer), Johnny Silver (performer), Stubby Kaye (performer) | G Major | 3 | 9B | 67 BPM | ||
| Carousel (La valse à mille temps) | Elly Stone, Jacques Brel Is Alive and Well and Living in Paris Ensemble | A♭ Major | 3 | 4B | 73 BPM | ||
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM | ||
| The Grand Parade / Some Have, Some Have Not / As It Should Be | Brent Barrett, Henry Grossman, John Wylie, Grand Hotel Ensemble, Kathi Moss, William Ryall, Bob Stillman, David Elledge, Walter Willison | D♭ Major | 5 | 3B | 75 BPM | ||
| Fat Sam's Grand Slam | Michael Sturges, Paul Lowe, Shean Williams, Sheridan Smith | G Major | 6 | 9B | 114 BPM | ||
| Song on the Sand (Reprise) | Jerry Herman, Kelsey Grammer, Douglas Hodge | G Major | 1 | 9B | 89 BPM | ||
| The Grass is Always Greener | Lauren Bacall, Marilyn Cooper, Woman of the Year Orchestra | G Major | 3 | 9B | 101 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| Heart | Russ Brown, Jimmie Komack, Nathaniel Frey, Albert Linville | A♭ Major | 2 | 4B | 127 BPM | ||
| Bluebloods | Brent Carver, Anthony Crivello | E Major | 1 | 12B | 84 BPM | ||
| Trail of the Lonesome Pine | Laurel and Hardy | F♯ Major | 2 | 2B | 114 BPM | ||
| The Mikado / Act 1: 8. As someday it may happen that a victim... | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 2 | 5B | 148 BPM | ||
| Street Scene: Lonely House | Kurt Weill, Brian Sullivan, Maurice Abravanel | A♭ Major | 3 | 4B | 88 BPM | ||
| Brother, Can You Spare A Dime? | Al Jolson | A♭ Major | 2 | 4B | 86 BPM | ||
| Take Care of This House (from "1600 Pennsylvania Avenue") | Patricia Routledge | G Major | 2 | 9B | 83 BPM | ||
| They're Playing My Song (His) - 1979 Original Broadway Cast | Robert Klein, Brooks Arthur, Bob Merritt | C Major | 5 | 8B | 129 BPM | ||
| Speccy Four Eyes | Victoria Wood | A Minor | 5 | 8A | 103 BPM | ||
| Many A New Day - From "Oklahoma!" Soundtrack | Shirley Jones, Darcy M. Proper | D Major | 1 | 10B | 121 BPM | ||
| Barry and Freda | Victoria Wood | G Major | 8 | 9B | 115 BPM | ||
| Every Little Nothing | Gita Denise, Patricia Routledge | E Major | 3 | 12B | 116 BPM |