Bobby King, Terry Evans's ' "Bald Head" was released on its scheduled release date, January 1, 1988. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Terry Evans, Bobby King's "Live And Let Live!" album is number 2 out of 9. Based on our statistics, Bald Head's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bald Head by Bobby King, Terry Evans to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cold As The Midnight Sun | Jay-Bee & The Ultratone All-Stars | G Major | 7 | 9B | 96 BPM | ||
| Holler If You Hear Me | Altered Five Blues Band | F Major | 7 | 7B | 190 BPM | ||
| Crazy Daisy | Marlon Pichel | F♯ Minor | 6 | 11A | 114 BPM | ||
| Honey, Hush aka Talking Woman Blues | Albert Collins | D♭ Major | 7 | 3B | 162 BPM | ||
| I Always Get My Man | Shemekia Copeland | D♭ Minor | 7 | 12A | 109 BPM | ||
| I Get Weary | Johnnie Johnson | G Major | 6 | 9B | 79 BPM | ||
| C.C. Rider | The Aces, Freddie Below, Bobby King, Johnny Drummer, Joe Carter, Louis Myers, Dave Myers | D Minor | 7 | 7A | 129 BPM | ||
| She's Tough | Billy Price and the Keystone Rhythm Band | A Major | 3 | 11B | 135 BPM | ||
| Don't Boss Me | Little Charlie & The Nightcats | D♭ Minor | 7 | 12A | 198 BPM | ||
| Everybody Pays Some Dues | Royal Southern Brotherhood | B♭ Major | 9 | 6B | 150 BPM | ||
| Don't Throw Your Love on Me | The Aces, Freddie Below, Bobby King, Johnny Drummer, Joe Carter, Louis Myers, Dave Myers | D Minor | 7 | 7A | 129 BPM | ||
| Landslide | Walter Wolfman Washington | B Minor | 8 | 10A | 98 BPM | ||
| Had About All I Can Take | Chris Cain | F Minor | 9 | 4A | 130 BPM | ||
| Rock Me Baby | The Aces, Freddie Below, Bobby King, Johnny Drummer, Joe Carter, Louis Myers, Dave Myers | B Minor | 4 | 10A | 95 BPM | ||
| That's What Home Is (feat. Ron Wallace, Wanda Vick & Bobby King) | Patrick Wilson, Wanda Vick, Ron Wallace, Bobby King | A♭ Major | 5 | 4B | 100 BPM | ||
| Time To Cry | Chris Cain | F Major | 9 | 7B | 92 BPM | ||
| I'm in Deep | Altered Five Blues Band | G Major | 9 | 9B | 142 BPM | ||
| Other Side of Love | Doyle Bramhall | A Major | 4 | 11B | 119 BPM | ||
| How Come My Bulldog Don't Bark | J.T. Lauritsen & The Buckshot Hunters | B♭ Major | 7 | 6B | 117 BPM | ||
| Running Out On Me | Robben Ford & The Blue Line | F Minor | 9 | 4A | 94 BPM | ||
| Home Away From Home | Jay-Bee & The Ultratone All-Stars | F Major | 5 | 7B | 97 BPM | ||
| Gotta Get Back to Chicago | Bobby Hurricane Spencer | A Major | 7 | 11B | 198 BPM | ||
| Travellin' South | Albert Collins | G Major | 7 | 9B | 151 BPM | ||
| Place in This World | Kirk Fletcher | G Minor | 7 | 6A | 114 BPM | ||
| Gettin' To Know You | Curtis Salgado | D♭ Minor | 9 | 12A | 111 BPM |