"テレザートの最後 M-21 (1) - 「宇宙戦艦ヤマト2」使用BGM" by 宮川 泰, シンフォニック・オーケストラ・ヤマト had its release date on March 20, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of YAMATO SOUND ALMANAC 1978-VI 宇宙戦艦ヤマト2 BGM集 Part2 by 宮川 泰, シンフォニック・オーケストラ・ヤマト. The song's track number on the album is #6 out of 44 tracks. Based on our data, Japan was the country where this track was produced or recorded. テレザートの最後 M-21 (1) - 「宇宙戦艦ヤマト2」使用BGM is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since テレザートの最後 M-21 (1) - 「宇宙戦艦ヤマト2」使用BGM by 宮川 泰, シンフォニック・オーケストラ・ヤマト has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With テレザートの最後 M-21 (1) - 「宇宙戦艦ヤマト2」使用BGM being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 誇り高き男(映画「誇り高き男」より) | スリー サンズ | G Minor | 3 | 6A | 117 BPM | ||
| マツケンサンバ II | Akira Miyagawa, Osaka Philharmonic Orchestra | B♭ Major | 9 | 6B | 129 BPM | ||
| 医術-転結- | 髙見 優/長岡 成貢 | C Major | 5 | 8B | 78 BPM | ||
| 追憶 - 2024mix | 宮川 泰, シンフォニック・オーケストラ・ヤマト | G Minor | 2 | 6A | 91 BPM | ||
| Gran-Arena | Falcom Sound Team jdk | A Major | 2 | 11B | 162 BPM | ||
| 哀愁のアダージョ | レイモン・ルフェーヴル・グランド・オーケストラ | F Major | 3 | 7B | 165 BPM | ||
| 別離の果てに [Ⅱ]-M-13 | 渡辺岳夫 | A Minor | 1 | 8A | 122 BPM | ||
| SWAN | Shigeaki Saegusa | G Major | 4 | 9B | 49 BPM | ||
| Autumn Breeze | SaVaa | C Major | 2 | 8B | 107 BPM | ||
| 百万本のバラ | ピエール・ポルト | D Minor | 5 | 7A | 80 BPM | ||
| 大河の一滴 | Takashi Kako | G Minor | 3 | 6A | 102 BPM | ||
| 遊星から来た兄弟 勝利 (M5) - 『ウルトラマン』より | スタジオ・オーケストラ | F Major | 4 | 7B | 90 BPM | ||
| 希望の光は絶対に消えません! | 浜口史郎 | G Major | 3 | 9B | 117 BPM | ||
| The Clocktower/For the Dreamers Reprise | SHIKI THEATRE COMPANY | G Major | 6 | 9B | 120 BPM | ||
| エッグヘッドに潜む恐怖 | Kohei Tanaka | G Major | 2 | 9B | 90 BPM | ||
| Astral Voice | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| 愛のために死す(映画「愛のために死す」より) | Charles Aznavour, Kiyoshi Shomura | B Minor | 1 | 10A | 135 BPM | ||
| エーゲ海の真珠 | ニュー・ポール・モーリア・グランド・オーケストラ | A♭ Minor | 6 | 1A | 78 BPM | ||
| Japanese March | Kou Kakinohara, Yoshimi Tsujimoto, Chie Hanawa | A Major | 10 | 11B | 108 BPM | ||
| サバの女王 | ニュー・ポール・モーリア・グランド・オーケストラ | F Major | 3 | 7B | 101 BPM | ||
| 管弦楽のためのラプソディ | 外山雄三, Tadaaki Otaka, Yomiuri Nippon Symphony Orchestra | D Minor | 2 | 7A | 132 BPM | ||
| That's Enough for Me | Antonio Rossi & His Orchestra | D Major | 2 | 10B | 67 BPM | ||
| 金曜ロードショー テーマ曲 Cinema Nostargia ORIGINAL COVER | NIYARI計画 | A♭ Major | 3 | 4B | 73 BPM | ||
| 大会戦 | Shigeaki Saegusa | F♯ Minor | 3 | 11A | 86 BPM | ||
| 大江戸捜査網 | 玉木宏樹, Siena Wind Orchestra | E♭ Major | 6 | 5B | 95 BPM |