Conchita Wurst, Wiener Symphoniker's 'Where Do I Begin' had a release date set for October 19, 2018. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 12 in From Vienna with Love by Conchita Wurst, Wiener Symphoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Where Do I Begin is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Where Do I Begin by Conchita Wurst, Wiener Symphoniker is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Colouring Book | Agnetha Fältskog | C Major | 2 | 8B | 178 BPM | ||
| Scream | Sergey Lazarev | B♭ Major | 5 | 6B | 184 BPM | ||
| A Moment of Madness | Katie Melua | A♭ Minor | 5 | 1A | 113 BPM | ||
| Diamonds Are Forever (Live in Concert) | Katie Melua | E Minor | 2 | 9A | 78 BPM | ||
| Safe (Radio Edit) | Babs & The Babes | A Minor | 9 | 8A | 95 BPM | ||
| Love Me With All Your Heart | Agnetha Fältskog | A♭ Major | 5 | 4B | 72 BPM | ||
| What Now My Love | Agnetha Fältskog | B♭ Major | 6 | 6B | 102 BPM | ||
| Creep - The Voice Australia 2018 Performance / Live | Sheldon Riley | F♯ Major | 2 | 2B | 97 BPM | ||
| Mrs Thomas | Conchita Wurst | B Major | 6 | 1B | 149 BPM | ||
| Hit Me | Conchita Wurst | B Major | 7 | 1B | 118 BPM | ||
| Smile, Tho' Your Heart Is Aching | Demis Roussos | D Major | 7 | 10B | 93 BPM | ||
| Unbelievable | Mark Medlock, Dieter Bohlen | A Major | 4 | 11B | 126 BPM | ||
| Call Me | Shannon Butcher | C Minor | 4 | 5A | 88 BPM | ||
| At Seventeen | Céline Dion | C Major | 5 | 8B | 114 BPM | ||
| The Point of No Return (From "The Phantom of the Opera") | Tom Butwin | D♭ Major | 3 | 3B | 75 BPM | ||
| Have I Told You Lately (feat. Åsa Jinder) | Charlotte Perrelli, Johnny Logan, Åsa Jinder | B♭ Major | 6 | 6B | 139 BPM | ||
| Sailing (with The Royal Philharmonic Orchestra) | Rod Stewart, Royal Philharmonic Orchestra | B Major | 5 | 1B | 128 BPM | ||
| Amar pelos Dois | Salvador Sobral | F Major | 1 | 7B | 176 BPM | ||
| Believe - The Voice Australia 2018 Performance / Live | Sheldon Riley | D Major | 4 | 10B | 110 BPM | ||
| Feel My Help | RIKE, Andy Werner, Chor MOSAIK | E Major | 6 | 12B | 85 BPM | ||
| Could I Have This Kiss Forever | Enrique Iglesias, Whitney Houston | B♭ Minor | 9 | 3A | 94 BPM | ||
| Just One Last Dance - Radio Version | Sarah Connor, Natural | B Minor | 6 | 10A | 124 BPM | ||
| Under Paris Skies | Nicki Parrott | F Minor | 2 | 4A | 180 BPM | ||
| Killing Me Softly | Aleksandre Zazarashvili, Nina Jangveladze | B♭ Major | 3 | 6B | 75 BPM | ||
| Sorry Seems to the Hardest Word | Elton John Experience | G Minor | 3 | 6A | 123 BPM |